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Robin Ghosh (Bengali: রবিন ঘোষ, Urdu: روبن گھوش; 13 September 1939 – 13 February 2016) was a Pakistani-Bangladeshi playback singer and film music composer, best known for singing and composing music for Lollywood films from 1961 to 1986. [2]
Aug 10, 2014 · Robin Ghosh, the decorated Bangladeshi/Pakistani music director, has sometimes been compared to Madan Mohan. And indeed, their lives took freakishly similar trajectories.
Feb 10, 2021 · Ghosh is regarded as an icon in the industry, credited for composing music for several super-hit Pakistani and Bangladeshi films including Chanda, Talash, Paisa, Chakori, Bhaiya, Tum Mary Ho and Aina.
Feb 14, 2016 · KARACHI /LAHORE: The man behind some of Lollywood's most popular tunes, Robin Ghosh, is no more. He breathed his last at Cure Care Hospital in Dhaka, Bangladesh on Saturday morning.
Robin Ghosh was born on 13 September 1939 in Baghdad, Iraq. He was a composer and actor, known for Kiran aur Kali (1981), Jahan Tum Wahan Ham (1968) and Do Sathi (1975). He was married to Shabnam.
Feb 13, 2016 · Bangladeshi music director Robin Ghosh passed away in Dhaka today due to respiratory failure. He was 79. Ghosh was married to to Pakistani veteran actress Shabnam, with whom he had one son...
Feb 13, 2017 · LAHORE: Robin Ghosh, the man behind some of Lollywood’s most popular tunes, was remembered by his contemporaries on his first death anniversary on February 13. The six-time Nigaar award winner was the husband of legendary Pakistani actor, Shabnam.
Apr 8, 2017 · Though Shabnam was married to the film’s music composer, Robin Ghosh, it was the doe-eyed Nadeem who was her on-screen foil. For more than a decade the pair dominated the industry.
Robin Ghosh was born on 13 September 1939 in Baghdad, Iraq. He was a composer and actor, known for Kiran aur Kali (1981), Jahan Tum Wahan Ham (1968) and Do Sathi (1975). He was married to Shabnam. He died on 13 February 2016 in Dhaka, Bangladesh.
Feb 12, 2017 · Robin Ghosh was the most talented and smartly-attired film composer I had ever met. Mostly in white outfits, he carried an air like no other music director of his time. He reminded me of Shankar-Jaikishan and O.P. Nayyar from India -- stylish and flamboyant.
