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Raihan Rafi (Bengali: রায়হান রাফি; born 3 March 1989) [2] is a Bangladeshi film director, screenwriter and producer. He is best known for his directorial debut, Poramon 2 (2018) produced by Abdul Aziz and under the banner of Jaaz Multimedia.
16K Followers, 643 Following, 1,599 Posts - Raihan Rafi (@_raihanrafi_) on Instagram: "producer |director | Screenwriter".
Raihan Rafi. Director: Surongo. Raihan Rafi is known for Surongo (2023), Poran (2022) and Janowar (2021).
Sep 19, 2024 · The highly anticipated Raihan Rafi's directorial web-film "Mayaa" is finally set to release this month. The film explores the complex struggles of modern women and family dynamics, with...
Jul 16, 2023 · With a slew of blockbusters to his name, Raihan Rafi is fast making a name for himself as a bankable film director. This month, he talks to MWB about his upcoming project. By Zariat Mushfique Khan. Diving through the Surongo of story-telling, director Raihan Rafi, needs very little introduction.
Toofan: Directed by Raihan Rafi. With Shakib Khan, Mimi Chakraborty, Masuma Rahman Nabila, Salahuddin Lavlu. Follows a born killer who rises to power and becomes the biggest toofan.
Raihan Rafi is an Bangladeshi film director, screenwriter, producer.
'The Beast') is a 2021 Bangladeshi crime thriller film directed by Raihan Rafi. [1][2] The film was produced by Tamjid Atul under the banner of Turn Communications for the streaming service Cinematic. [3][4][5] The screenplay, written by Rafi, is based on a true story of robbery, gang rape, and murder that occurred in Gazipur on 23 April 2020. [...
Raihan Rafi Chowdhury is a Bangladeshi filmmaker. He made his directorial debut in the year 2018 with the film 'Poramon 2'. Later in the same year he released his second film 'Dohon' under the same banner and having the same cast in the lead roles.
Surongo: Directed by Raihan Rafi. With Rayhan Sardar, Adib Ahasan Chowdhury, Nusraat Faria Mazhar, Tama Mirza. A simple electrician from a village turns to crime and goes to extreme lengths to satisfy his love.
