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Lydia Lopokova was a Russian ballerina who married the economist John Maynard Keynes in 1925. She danced with the Ballets Russes, toured with Diaghilev, and was friends with Picasso, Stravinsky and other cultural figures.
Lydia Lopokova was a prominent dancer in Diaghilev's Ballets Russes, who married the economist John Maynard Keynes in 1925. She also acted in plays, visited her family in Russia, and accompanied Keynes to international meetings during World War II.
Explore the collection of materials related to the life and career of Lydia Lopokova Keynes, ballet dancer, actress and wife of John Maynard Keynes. Find correspondence, writings, photographs, diaries and more from 1903 to 1986.
Learn about Lydia Lopokova, a ballet dancer who performed with Diaghilev's Ballets Russes and founded the Cambridge Arts Theatre with her husband John Maynard Keynes. Find out her roles, achievements and biography in this concise entry.
In 1921, Keynes wrote that he had fallen "very much in love" with Lydia Lopokova, a well-known Russian ballerina and one of the stars of Sergei Diaghilev's Ballets Russes. [180] In the early years of his courtship, he maintained an affair with a younger man, Sebastian Sprott, in tandem with Lopokova, but eventually chose Lopokova exclusively.
Jun 23, 2022 · Richard Shone’s memoir of Lydia Lopokova in old age contains many valuable details (LRB, 23 June).I have just one anecdote to add, relayed by the late John Drummond, one-time controller of Radio 3, concerning the widowed Lopokova’s behaviour towards Marie Rambert, the founder of Britain’s first enduring 20th-century ballet company and a dance colleague of Lopokova’s at least as far back as the 1920s.
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Lydia Lopokova (Lady Keynes) Sitter in 22 portraits. Russian ballerina Lopokova joined the Ballets Russes in 1910 but it was not until 1918 that she was first seen in London when she appeared as a principal dancer alongside Massine at the Coliseum. Principally a demi-caractère dancer, she was acclaimed for the roles created for her by Massine ...
