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Gennady Fyodorovich Shpalikov (Russian: Генна́дий Фёдорович Шпа́ликов; 6 September 1937 – 1 November 1974) was a prominent Soviet Russian poet, screenwriter and film director.
Gennady Shpalikov. Gennady Shpalikov was born on 6 September 1937 in Segezha, Karelian ASSR, Russian SFSR, USSR [now Republic of Karelia, Russia]. He was a writer and actor, known for Dolgaya schastlivaya zhizn (1966), Ya shagayu po Moskve (1964) and You and Me (1971). He was married to Inna Gulaya and Natalya Ryazantseva.
- Writer, Music Department, Actor
- September 6, 1937
- Gennady Shpalikov
- November 1, 1974
Dec 6, 2017 · Gennady Shpalikov oddly punctuated Soviet cinema with his film Dolgaya Schaslivaya Zhizn (A Long Happy Life), the only film he directed. It’s funny and light; and in the anarchic procession of these very light images one suddenly discovers a hidden violence.
- Alena Lodkina
Apr 10, 2021 · Gennady Shpalikov’s first movie as a director, based on his own script, went down in the history of Soviet cinema as an absolutely unique phenomenon. Socialist propaganda seemed to have no power over Shpalikov’s work. Free from cliches, it was like a breath of fresh air in a country that was tightly closed off from the whole world by an iron curtain. A Long Happy Life resembles the films of the French New Wave rather than other Soviet films that were shot at the time.
Abstract Gennady Shpalikov’s A Long Happy Life (1967) was pitched to Lenfilm as a movie about a young woman in a factory job. The eventual result was very different, focusing as it did on two people who meet by chance and whose relationship lasts just one day. This chapter examines the reception in the studio (where the movie puzzled its viewers, but Shpalikov, who already had a noted career as a scriptwriter, was permitted a great deal of freedom), and beyond. While A Long Happy Life had ...
Apr 10, 2021 · Gennady Shpalikov (director), A Long Happy Life (1966) Gennady Shpalikov’s first movie as a director, based on his own script, went down in the history of Soviet cinema as an absolutely unique phenomenon. Socialist propaganda seemed to have no power over Shpalikov’s work. Free from cliches, it was like a breath of fresh air in a country ...
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Gennady Shpalikov. He was 25 when he offered George Danelia a script for the future film “I walk through Moscow”. At this time, Shpalikov was already finishing the script for Ilyich’s Outpost for Marlen Khutsiyev! Both of these films will be called the manifesto of the generation of the sixties, the symbols of the era called “thaw”.
