2014
Search results
Cibo Matto (pronounced [ˈtʃiːbo ˈmatto], Italian for "crazy food") was an American alternative rock band formed by Yuka Honda and Miho Hatori in New York City in 1994. Their first album, Viva! La Woman (1996), had lyrics primarily concerned with food. [1]
Oct 26, 2009 · Sugar Water by Cibo Matto from the album Viva! La Woman © 1996 🔔 Subscribe & Turn on notifications to stay updated with new uploads!Lyrics:The velocity of t...
Sep 18, 2014 · On 'Fall Flavor' tour now, featuring Nels Cline. Check the dates at http://yeahbasicallycibomatto.com/ Directed by Jean Claude Billmaier Produced by MARABIGO http://www.marabigo.com Check out...
CIBO MATTO. @CiboMattoTV ‧. ‧. 4.97K subscribers ‧ 10 videos. CIBO MATTO TV. twitter.com/cibomattociboma and 3 more links.
May 14, 2021 · For me, at the forefront, was Cibo Matto, a New York City-based duo composed of Japanese artists Yuka Honda and Miho Hatori. Their 1996 debut full-length was boldly titled: Viva! La Woman. It was later listed in Spin 's “100 Best Albums of the ‘90s” list, and Time Magazine selected it in their list of the “Best Hip Hop Albums of All Time.”
Cibo Matto was a trip-hop group formed by Yuka Honda and Miho Hatori, originally active from 1994 to 2002 and reuniting from 2011-2017. Other members have included Yuko Araki,...
Jun 27, 2024 · While the album didn't make Cibo Matto a household name, World Cafe correspondent John Morrison says Stereo Type A quietly subverted stereotypes at the time.
Cibo Matto was an American alternative rock band formed by Yuka Honda and Miho Hatori in New York City in 1994. Their first album, Viva! La Woman, had lyrics primarily concerned with...
Jun 27, 2024 · At the tail end of the '90s, a duo of New York-based Japanese expats called Cibo Matto released their sophomore album, Stereo Type A. While the album didn't make Cibo Matto a household name, World Cafe correspondent John Morrison says Stereo Type A quietly subverted stereotypes at the time.
Sep 5, 2021 · Cibo Matto deconstructed genres with a playful art-pop wisdom, in some ways like Japan’s domestic ‘Shibuya-kei’ scene. But having encountered the hybridised identity of New York’s Japanese community, their music navigates a liminal identity tipping between America and Japan.
