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Kin-Long Chan was born on 8 November 1990 in Hong Kong. He is an actor and director, known for Hand Rolled Cigarette (2020), The Thieves (2012) and Left on Read (2023). Menu
- January 1, 1
- 2 min
- Hong Kong
陳健朗. 英屬香港. 陳健朗 （英語： Kelvin Chan Kin Long，1990年11月8日 —），為 香港 男演員及獨立電影導演，曾於 香港電台 的短劇、電影等演出，亦執導過多套獨立電影。. 2022年以電影《手捲煙》獲得第40屆 香港電影金像獎 最佳新晉導演。.
May 8, 2023 · Hong Kong filmmaker Chan Kin-long was an actor before his award-winning directing debut, but today, with models and KOLs calling themselves actors – ‘It’s a joke, really’ – sees his ...
Aug 11, 2021 · Chan Kin-long himself has had a solid acting career, with featured roles in The Midnight After, No. 1 Chung Ying Street, and Port of Call, three of the best Hong Kong films of the past decade. That’s to say, the film is fairly dripping in Hong Kong cred, and is itself primarily located in and around the Chungking Mansions, the maze-like apartment complex (more or less) made famous by Chungking Express .
Aug 7, 2021 · 3.5. Summary. A slick debut continues the the revival of throwback Hong Kong cinema in this beautifully shot thriller. In the stark black and white opening to Chan Kin-long’s debut feature, we’re reminded that recent Hong Kong history will forever have a hard dividing line. While not specifically about the 1997 Handover, the shadow of the ...
An increasingly familiar name in Hong Kong’s film industry, Chan Kin Long won best new director at the 40th Hong Kong Film Awards in 2022 for his neo-noir directing and screenwriting debut Hand Rolled Cigarette, starring Lam Ka Tung. The movie was also nominated in numerous categories in the 57th Golden Horse Awards as well as for the White Mulberry award for first-time directors at the 23rd Far East Film Festival in Udine, Italy.
May 9, 2023 · Among the actors in a trailer for the 41st Hong Kong Film Awards ceremony held on April 16 was Chan Kin-long, an increasingly familiar face in the city’s film industry. Playing an obsessed fan, Chan, equipped with a camera, stalks the female lead, played by Louise Wong Dan-nei, who was a metaphor for film as an art form, Chan tells the Post.
