Rudolf Höss
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When an open-minded Jewish waiter and his son become victims of the Holocaust, he uses a perfect mixture of will, humor and imagination to protect his son from the dangers around their camp.
The Zone of Interest: Directed by Jonathan Glazer. With Christian Friedel, Sandra Hüller, Johann Karthaus, Luis Noah Witte. Auschwitz commandant Rudolf Höss and his wife Hedwig strive to build a dream life for their family in a house and garden beside the camp.
Based on the eponymously entitled novel, this is the powerful real-life story of Lale Sokolov, a Jewish prisoner who was tasked with tattooing ID numbers on prisoners' arms in the Auschwitz-Birkenau concentration camp during World War Two.
Denial: Directed by Mick Jackson. With Rachel Weisz, Tom Wilkinson, Timothy Spall, Andrew Scott. Acclaimed writer and historian Deborah E. Lipstadt must battle for historical truth to prove the Holocaust actually occurred when David Irving, a renowned denier, sues her for libel.
14-year-old György's life is torn apart in WWII Hungary, as he is deported first to Auschwitz and then to Buchenwald, where he is forced to become a man in the midst of hatred, and what it really means to be Jewish.
Auschwitz: Directed by Uwe Boll. With Steffen Mennekes, Arved Birnbaum, Maximilian Gärtner, Friedhelm Gärtner. The story portrays life inside a Nazi death camp using realistic visuals.
The Guard of Auschwitz: Directed by Terry Lee Coker. With Lewis Kirk, Claudia Grace Mckell, Michael McKell, Stephen Boxer. Follows the events of the Holocaust through the eyes of an SS Soldier.
The Auschwitz Album is the only surviving visual evidence of the process leading to the mass murder at Auschwitz-Birkenau. It is a unique document and was donated to Yad Vashem by Lilly Jacob-Zelmanovic Meier.
This is the worst film ever made about WW2 and the Holocaust. It's probably been shot at a farmhouse somewhere, no resemblance to Auschwitz whatsoever. The scenes are ridiculous, acting is dreadful.
Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio).
