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Ashok Samarth is an indian actor who works mainly in hindi and marathi movies. He is known for portraying the role of Shiva Naik in Singham (2011), Inspector Malvankar in Ek Chalis Ki Last Local (2007) and ACP Abhay Kirtikar in Lakshya (2015).
Ashok Samarth is an Indian actor who works in Marathi, Bhojpuri and Hindi cinema. Samarth made his debut with the film Insaan (2005). Since then, he has worked in movies like Family: Ties of Blood (2006), Ek Chalis Ki Last Local (2007), Right Yaaa Wrong (2010), Krantiveer: The Revolution (2010), Singham (2011), Married 2 America (2012), Gali ...
Jan 22, 2024 · Ashok Samarth, who plays a lead role in Rajneesh Berry's ‘695’, joined ETimes for an exclusive chat where he opened up about the film, his character 'Mahant Paramhans Ramchandra' and much more.
Ashok Samarth is an Indian actor who works in Marathi, Bhojpuri and Hindi cinema. Samarth made his debut with the film Insaan (2005).
Actor Ashok Samarth, who is known for his stellar performances in Hindi and Marathi films like 'Ek Chalis Ki Last Local', 'Jail', Veer, 'Singham', 'Simmba', 'Ravrambha', Vitti Dandu and others, is ...
Presenting Official Teaser Of Baloch Starring Pravin Tarde And Ashok Samarth. Releasing On 5th May 2023.Ameya Vinod Khopkar, Vishwagunj Pictures, Kirtee Wara...
Baloch is a 2023 Indian Marathi-language historical drama film written and directed by Prakash Pawar, starring Pravin Tarde, Ashok Samarth, Tejashree Jadhav, Smita Gondkar, and Vishal Nikam in the leading roles.
Ashok Samarth is an Indian actor who works in Hindi, Marathi, and Bhojpuri cinema. He made his acting debut in 2005 with the film Insaan. Samarth has since appeared in over 50 films, including...
Feb 1, 2024 · Actor Ashok Samarth, who is known for his stellar performances in Hindi and Marathi films like 'Ek Chalis Ki Last Local', 'Jail', Veer, 'Singham', 'Simmba', 'Ravrambha', Vitti Dandu and others, is all set to make his debut as a director with 'Janani'.
Jan 19, 2024 · In an exclusive chat with Zoom, 695 actor Ashok Samarth emphasises the need for Indian cinema to uphold respect and faith in depicting religiously important subjects, lamenting the industry's commercial mindset that often neglects cultural narratives.
