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Antoine Barraud. Writer: Madeleine Collins. Antoine Barraud was born in 1972. He is a writer and director, known for Madeleine Collins (2021), Rouge (2015) and Portrait of the Artist (2014).
- Writer, Director, Actor
- Antoine Barraud
Antoine Barraud réalise un premier long métrage, Song (avec Nathalie Boutefeu) en 2007. Son deuxième film, Les Gouffres (avec Mathieu Amalric et Nathalie Boutefeu ), est remarqué par la critique lors de sa présentation dans différents festivals en Suisse et en France [ 1 ] .
- Les GouffresLe Dos rougeMadeleine Collins
- Française
- 1972
- Réalisateur, scénariste, acteur
Mar 7, 2022 · In Antoine Barraud’s Portrait Of The Artist, Alfred Hitchcock’s Vertigo loomed large and we explore the unconscious mind of the Madeleine Collins filmmaker on the names he chose for his characters. Judith (Virginie Efira) plays in a park with little 4-year-old Ninon (Loïse Benguerel).
Madeleine Collins: Directed by Antoine Barraud. With Virginie Efira, Quim Gutiérrez, Bruno Salomone, Jacqueline Bisset. Judith leads a double life: two lovers, two sons in France and one daughter in Switzerland.
- (1.7K)
- Drama, Thriller
- Antoine Barraud
- 2023-08-29
Sep 4, 2021 · Director: Antoine Barrau. Screenwriter: Antoine Barraud, in collaboration with Héléna Klotz. 1 hour 46 minutes. It takes the film some time to reveal how its heroine, Judith (or Margot or ...
Aug 16, 2023 · At first glance, there may be nothing necessarily wrong with Antoine Barraud’s third feature film, Madeleine Collins; on the contrary, it quickly evokes a certain appeal through its bizarre, mystery-induced opening. From the immense suave atmosphere to Gordon Spooner’s gorgeously sleek cinematography, and indeed, the presence of the Belgian diva-actress, Virginie Efira as the main character, the film has enough to pique one’s curiosity all the way throughout.
Sep 3, 2021 · Antoine Barraud’s sixth feature film Madeleine Collins is a tightly constructed melodrama in which the story (written by Barraud himself in collaboration with Héléna Klotz) slowly reveals the web of lies that Judith has woven, a web she herself is now becoming entangled in. The screenplay bleeds out the information in a steady trickle, gradually revealing the significance of earlier incidents and allowing the audience to fill in the blanks, like the puzzling opening scene in which a ...
