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Jun 23, 2005 · Abhinayadarpanam is a book by Ghosh,Manomohan, published in 1957 by Firma K.L.Mukhopadhyay. It is available for free download and streaming from Internet Archive, a non-profit library of millions of free books, movies, music and more.
% Text title : abhinayadarpaNam % File name : abhinayadarpaNam.itx % itxtitle : abhinayadarpaNam (nandikeshvaravirachitam) % engtitle : abhinayadarpaNam % Category : nATyashAstra, major_works % Location : doc_z_misc_major_works % Sublocation : major_works % Author : Nandikeshvara % Language : Sanskrit % Subject : philosophy/hinduism/religion % Transliterated by : Ryan Armstrong ryanarm at gmail.com % Proofread by : Ryan Armstrong, Krithi Durbaka % Indexextra : (Scanned with Hindi, English ...
- CONTENTS
- Lives of the Hands .
- LIST OF PLATES
- VII. Hands of Images.
- INTRODUCTION
- When Brahma was a Sage in the Krta Age, and when Vaisvata Manu was
- This science was communicated by Brahma to Bharata and to
- Danavas. When, however, the Danavas found that the drama
- He adds that no performance should be begun without fulfill-
- Granting, of course, a variety of natural capacity, there
- But it is not merely in connection with folk-plays that
- Flowers" is to be acted as follows: "Hold the left hand
- It should be noted throughout that the words Ndtya, etc.,
- " This is the view of those who are learned in the Bharatagama."
- The development of Natya is thus analogous to that which has
- Certain of the dance poses possess not merely a general lin-
- Sri Krishna dances a dance of triumph following the victory over
- Mandala or General Dance last spoken of, are Tandava dances
- Probably the art of the theatre wiU now first be revived in Europe,
- My thanks are due to M. Victor Goloubew for the photo-
- The Bharata Sastra, which is most dear to the Lord of Sri,
- It has been declared by Brahma and others that the mutual
- 12 THE MIRROR OF GESTURE
- In this way a total of four hundred and eight new verses have
- Rasa Prakarana, in which the Nine Flavours are explained,
- Sabhapataya Garu, containing full explanations of such techni-
- THE MIRROR OF GESTURE DECLARED BY NANDIKE^VARA
- Nandikesvara. — Welcome to the King of the Suras
- Indra. — O Nandikesvara, image of compassion, apart from that
- 14 THE MIRROR OF GESTURE
- Vedas,and has made these Laws of Dancingwhich yield fulfilment
- The Audience (sabha) . — The Audience shines Hke the Wishing-
- The Chief of the Audience (sabha-nayaka). — He who is Chief
- Danseuse (nartakt) should be very lovely, young, with full round
- Outer Life (bahih prana) of the Danseuse. — The following
- The Fruit of Witnessing Vulgar Dances. — Those who look upon
- The Course of the Dance (natya-krama) . — What is said tra-
- Only such as are useful in dancing will be described. The
- Sama (level): not moving, not bent, nor raised. Usage: at
- Dhuta (shaken) : the head is turned to and fro from right to
- Kampita: raising the head high and shaking it. Usage : recog-
- Akampita: the same movement slowly. Usage: something in
- Udvahita: raising the head sharply. Usage: saying "I can",
- 20 THE MIRROR OF GESTURE
- Usage : pleasure at seeing the beloved (yilasa) graceful posing ,
- Lolita: the head unsteady, the eyes languid as if from excess of
- Skandkdnata: the head is rested on the shoulder. Usage : sleep,
- Pdrsvdbhimukha: the head is turned aside in looking at persons
- Prakampita (waving about) : repeatedly moving the head for-
- Saundarya (elegance) : looking up and down, the trunk also
- Pralokita: turning from side to side. Usage: looking at things
- Avalokita (looking down): looking down. Usage: looking at a
- 22 THE MIRROR OF GESTURE
- Usage: mutual glances of those who are fast bound by amor-
- Vismaya
- Trpta (satisfaction) : steady, wide-opened, the pupil motionless,
- Bhayanaka (inspiring fear): the eyelids raised and fixed, the
- THE MIRROR OF GESTURE 23
- Usage:
- Abhitapta (burnt): the eyelids moving, the pupils gazing lan-
- Avalokita: looking down. Usage: study (pathana), reflection
- Usage:
- SUcana: the eyes partly closed, following the movement of the
- Molina: the lashes partly closed as if by rheum, the pupils
- 24 THE MIRROR OF GESTURE
- Mlana (dull):
- Ardhaniukula: smihng, the pupils just visible under the lids;
- Erdaya: unsteady, flurried, the pupils moving somewhat {an-
- THE MIRROR OF GESTURE 25
- Knowers of mood ihhdva) have declared that there are four
- Tirascina: an upward movement on both sides, Kke the gliding
- Prakampita: moving the head backwards and forwards like a
- 26 THE MIRROR OF GESTURE
- Apavestita (twisted down): the hand directed downwards
- Udvestita (twisted upwards): the hand directed (palm) up-
- Cihna (mark): the various Cihnas are the marks of those
- THE MIRROR OF GESTURE 27
- According to another book, the thumb is bent against the base
- Brahma, the Shaper, went to Parabrahma, as he saluted him
- Siva, its race Brahmana, its patron deity Parabrahma. Usage:
- According to another book: same definition. It is so called
- Ardha-pataka (half-flag) : the little finger of the Tripataka hand
- THE MIRROR OF GESTURE 29
- Mayura (peacock) : the third finger of the Kartarl-mukha hand
- Ardha-candra (half-moon) : ' the thumb of the Pataka hand is
- According to another book : same definition. This hand origi-
- 30 THE MIRROR OF GESTURE
- According to another book: same definition. It originates
- According to another book: the thumb placed on the middle
- Usage:
- Kataka-mukha (opening in a link): the forefinger and middle
- 32 THE MIRROR OF GESTURE
- According to another book: the thumb of the Kapittha hand
- Suci (needle): the forefinger of the Kataka-mukha hand is
- Candra-kald (digit of the moon) : the thumb of the Suci hand is
- Padmakosa (lotus bud) : the fingers separated and a little bent,
- THE MIRROR OF GESTURE
- According to another book: same definition. This hand is
- Mrga-Hrsa (deer-head): in the above hand, the thumb and
- 34 THE MIRROR OF GESTURE
- Ldngula (tail): the third finger of the Padmakosa hand is
- According to another book: the thumb, middle and forefinger
- Sola-padma (full-blown lotus) (= Ala-padma): all the fingers
- THE MIRROR OF GESTURE 35
- According to another book: in the Pataka hand, the thumb
- Bhramara (bee): the second finger and thumb touching, the
- According to another book: the forefinger of the Hamsasya
- 36 THE MIRROR OF GESTURE
- According to another book: the tips of the forefinger, middle
- According to another book: same definition. It is said to be
- Satfidatjtsa (grasping): the fingers of the Padmakosa hand are
- According to another book : the middle finger of the Hamsasya
- Mukula (bud): the thumb and fingers are brought together
- According to another book: the fingers of the Padmakosa
- Wind (Hanuman) when he attempted to seize the sun, mistaking
- 38 THE MIRROR OF GESTURE
- According to another text: the thumb and Httle finger of the
- Nala-nrtya.
- THE MIRROR OF GESTURE 39
- Usage: saluting Deities, Elders {guru) or Brahmanas — the
- According to another book: in the Urna-nabha hand, the
- 40 THE MIRROR OF GESTURE
- According to another book : Pataka hands at the sides. The
- According to another book: Arala hands held crosswise on
- Siva-linga (do.) : Ardha-candra with the left hand, Sikhara with
- GeneratedCaptionsTabForHeroSec
Introduction The Indian Editor's Preface . Invocation Dialogue of Indra and Nandikesvara
Twenty-eight Single Hands Twenty-four Combined Hands . Twenty-six Combined Hands . Hands denoting Relationships . Hands denoting Devas . . Hands denoting the Nine Planets Hands denoting the Avatars of Vishnu Hands denoting the Four Castes Hands denoting Famous Emperors HAfJDS denoting the Seven Oceans Hands denoting Famous Rivers . . Hands denoting...
I. The Cosmic Dance or Siva (Nataraja). Madras Museum. II. KuRUKUiLA. Calcutta Museum. III. Danseuse. Buddhist Frieze, Borobodur, Java. IV. Dancing Frieze. Ceiling Sculpture, Dilwarra, Mt. Abu. fDANSEusES Before a Taina Goddess. Dllwarka, Mt. Abu. V. IApsaras Dancing Before Vishnu. From Early Kangra Painting. VI. Danseuse. From an Ajanta Fresco.
VIII. Seated Image with Anjali Hands. EX. Nautch Dance Before a Royal Patron. X. Single Hands. XI. Single aistd Combined Hands. XII. Single and Combined Hands. Xni. Combined Hands. XIV. Combined Hands. XV. Complete Poses.
Mr. Gordon Craig, who understands so well the noble arti- ficiality of Indian dramatic technique, has frequently asked me for more detailed information than is yet available in this too long neglected field. " If there are books of technical instruction," writes Mr. Gordon Craig, " tell them to me I pray you. The day may come when I could afford to...
preparing for the Treta Age, when popular morality is in the grasp of greed and of desire, and the world is deluded by envy, by resentment, and by weal and woe, when the Devas, Danavas, Gandharvas, Yaksas, Rak§asas, Mahoragas, and the Lokapalas entered upon Jambu-dvipa, then Indra and the other Devas said to Brahma: " We desire a pastime to be seen...
his hundred sons, and it was first used at the Flag Festival of Indra, to celebrate the victory of the Devas in battle against the
depicted their own defeat, they remonstrated with Brahma, and this afforded occasion for an explanation of the true character and significance of dramatic art—not to flatter any party, but to represent the true and essential nature of the world. Brahma explains to the Danavas: " This play is not merely for your pleasure or the pleasure of the Devas...
ing the Office of the Stage (ranga-pujah), and that those who neglect this ritual will be ruined. In a following chapter Bharata explains, in connection with the building of the theatre, how it is that the behaviour of the artist must of necessity be studied, and not impulsive; for the human actor, who seeks to depict the drama of heaven, is not hi...
naturally appears to be less difference between the good and bad actor than we are accustomed to observe in modern Europe, because the actor who merely exhibits himself is eliminated alto- gether. The difference, however, exists, and the Indian connois- seur is as sensitive to every shade of it as the western critic to the wider range of variation ...
accessories are needless. Let us take a few episodes from the " Sakuntala " of Kalidasa and see how they are presented.
horizontally in Ardla, the right hand in Haifisasya, extended forward at the side." The left hand here represents a basket, and imaginary flowers are picked with the right hand and transferred to the left. " Mounting a Car " is to be shown as follows: " The knees are to be raised, the leg being bent and lifted, so that the knee is level with the ch...
imply both acting and dancing; we have used the word ' dance ' in our translation only for want of any English word combining the ideas of dancing and acting. The reader will go far astray if he understands by dancing anything but rhythmic shewing. Indian acting is a poetic art, an interpretation of life, while modern European acting, apart from an...
^ It must not be imagined on this account that Indian Natya served or serves only for the entertainment of an academic cUque. This may have been the case with the old court dramas, but it was not so with Natya in general, which corresponded to the common and collective need of the folk. Where such a need is felt, there arises a common and collectiv...
taken place in painting and poetry. It may be remarked here that it is very usual for Indian singers, other than dancers, to accompany their singing with gesticulation. This is of two kinds, of which the first, quite distinct from what is spoken of in the present treatise, is a hand movement reflecting the musical form; this expression of empathy (...
guistic, but also a special hieratic significance. These poses, chiefly of the hands, are spoken of as mudras (seals), and are more or less familiar to students of Hindu iconography. It is, however, scarcely realised how closely connected are the dancing and the sculpture. Many of the gods are themselves dancers, and, in particular, the everlasting...
' " In this drama of the world He is both the Chief Actor and the Chief of
and represent a direct cosmic activity. Those of the Nrtya class, which set forth in narrative fashion the activities of Gods and Titans, or exhibit the relationships of hero and heroine " so as to reveal an esoteric meaning", are for the most part Lasya dances performed by the Apsaras of Indra's paradise, and by the Devadasis and Nacnis upon earth...
rather than in India. All that is said in the present volume will serve only as an introduction to Indian dramatic technique and to Oriental act- ing in general. But we are encouraged to think that even so brief an introduction to an extensive science may prove of prac-tical value to the many dramatists who are interested in the future lO THE MIRRO...
graphs reproduced on Plates I and III, while the illustrations on Plates IV and V (above) are from photographs by the Archaeo-logical Survey of India. Ananda Coomaraswamy
the Creator of every world, and which is the delight of every connoisseur in every world, has been brought into being by Siva, Sambhu, Gaurl, Brahma, Madhava, Nandikesvara, Dattila, Kohala, Yajnavalkya, Narada, Hanuman, Vighraraja, Su-brahmaniya, Arjuna, and the daughter of Bana (i. e. Usa) : these are the famous authors of our science. Notwithstan...
relations of hero and heroine, in their esoteric meaning, partake of the nature of the relations of master and pupil, mutual service
and mutual understanding; and therefore this Bharata Sastra, which is a means to the achievement of the Four Aims of Human Life, — Virtue, Wealth, Pleasure, and Spiritual Freedom, — and the most exalted science, practised even by the Devas, should also be patronized and practised by ourselves. So thinking, I resolved to restore the science to its f...
been introduced, and therewith a simple translation with easy Telugu words such as women and children can understand.
with Telugu translations; and there exists a reference work of the nature of a commentary, written by Raja Mannaru Gudi
cal terms as raga, tdla, ndyaka, ndyakd, rasa, etc. May those of the public who are connoisseurs both patronize and give us their encouragement.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
A PDF book that translates and annotates the Sanskrit treatise on Indian classical dance and mime by Nandikeśvara. It explains the meanings, origins, and usages of various hand gestures, postures, and expressions in different contexts and genres.
- 2MB
- 104
Jun 18, 2024 · Summary: The English translation of the Abhinaya-darpana (“the mirror of gesture”) by Nandikeshvara: an encyclopedic manual of the art of gesticulation. It belongs to a wide range of literature known as Natya-shastra: the ancient Indian art of dramatic performance, theatrics, dance and music.
- 1917
File name : abhinayadarpaNam.itx. Category : nATyashAstra, major_works. Location : doc_z_misc_major_works. Author : Nandikeshvara. Transliterated by : Ryan Armstrong ryanarm at gmail.com. Proofread by : Ryan Armstrong, Krithi Durbaka. Latest update : February 14, 2021.
being the abhinaya darpana of nandikesvara translated into english by ananda coomaraswamy and gopala kristnayya duggirala with introduction and illustrations ey ly j issued to members of the india society, london for the year 1916 cambridge harvard university press london: humphrey milford | oxrorp university prress iqi7
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Butthis abhinaya portion isfrangmentary andseems tobeacompilation fromdifferent sources. Slokas 90-95,96, 970-983, 101-102, 104-105 oftheADoccur init withafewvariations worthy ofnotice. P. Thisis the MSno. 42ofthe Appendix Collection A (1916-18) ofthe Government MSSLibrary with the Bhandarkar Oriental Research Institute* Poona. It has been ...
