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Who's Afraid of Virginia Woolf? is a play by Edward Albee first staged in October 1962. It examines the complexities of the marriage of middle-aged couple Martha and George. Late one evening, after a university faculty party, they receive unwitting younger couple Nick and Honey as guests, and draw them into their bitter and frustrated relationship.
The best study guide to Who's Afraid of Virginia Woolf on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.
Who’s Afraid of Virginia Woolf is probably the most famous and widely studied American play associated with the Theatre of the Absurd, a movement prominent in the 1950s and 1960s.
Who's Afraid of Virginia Woolf?: Directed by Mike Nichols. With Elizabeth Taylor, Richard Burton, George Segal, Sandy Dennis. A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night.
Edward Albee’s play Who’s Afraid of Virginia Woolf? was first performed in 1962. It follows the volatile relationship between George and Martha, a middle-aged married couple.
Synopsis. Set on the campus of a small New England college, the film focuses on the volatile relationship of a middle-aged couple: associate history professor George (Richard Burton) and his alcoholic wife Martha (Elizabeth Taylor), the daughter of the university president.
The play Who's Afraid of Virginia Woolf? is set on the campus of a small, New England university. It opens with the main characters, George and Martha coming home from a party at her father's house.
Jun 27, 2024 · Who’s Afraid of Virginia Woolf?, play in three acts by Edward Albee, published, produced, and debuted on Broadway in 1962. The action takes place in the living room of a middle-aged couple, George and Martha, who have come home from a faculty party drunk and quarrelsome.
Aug 3, 2020 · Who’s Afraid of Virginia Woolf? is in many important respects a “first.” In addition to being the first of Albee’s full-length plays, it is also the first juxtaposition and integration of realism and abstract symbolism in what will remain the dramatic idiom of all the full-length plays.
A dark comedy, Who’s afraid of Virginia Woolf? portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years.
