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  1. Raja Ravi Varma (29 April 1848 – 2 October 1906 [3] [4]) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography.

  2. Raja Ravi Varma (29 April 1848 – 2 October 1906) was a celebrated Malayali Indian painter and artist. He is considered among the greatest painters in the history of Indian art for a number of aesthetic and broader social reasons.

  3. Raja Ravi Varma was an Indian painter and artist, considered as one of the greatest painters in the history of Indian art. Raja Ravi Varma is known for his amazing paintings, which revolve mainly around the Puranas (ancient mythological stories) and thegreat Indian epics - Mahabharata and Ramayana.

  4. May 13, 2024 · Raja Ravi Varma (1848-1906) was one of the most celebrated and prominent artists from India. His works combined European realism with Indian sensibility.

  5. By Sandeep & Gitanjali Maini Foundation. Raja Ravi Varma's art, his eye for detail, spanning subjects and characterisation spawned a rich legacy, bringing to the fore a lot of contemporary...

  6. Jul 18, 2022 · Raja Ravi Varma: Controversy of India's most iconic artist. 17 July 2022. By Kalpana Sunder, Features correspondent. Raja Ravi Varma Heritage Foundation, Bangalore. (Credit: Raja Ravi...

  7. The royal who became the most iconic Indian artist of all time.

  8. Raja Ravi Varma was an Indian painter and artist. He is considered among the greatest painters in the history of Indian art. His works are one of the best examples of the fusion of...

  9. Raja Ravi Varma's career began in 1870 and the Ganesh Shivaswamy Foundation commemorated 150 years of this start in 2020.

  10. Apr 29, 2020 · Through his printing press, Varma’s humanised depiction of Hindu pantheon travelled beyond the surfaces of costly canvases, and into the prayer and living rooms of working-class homes. A prolific artist, Varma is believed to have made around 7,000 paintings before his death at the age of 58.

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