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Raza has himself described the Bindu technique as a visible form containing all the essential requisites of line, tone, color, texture and space. Sandhya Bordewekar, a leading art writer and historian, shares her thoughts on the famous Bindu art series by S.H. Raza.
From the excitement of this discovery, Raza develops his large canvas in 1989 titled Naad Bindu. Concentric circles spin-out from the Bindu as the primordial sound reverberating and echoing through the universe. In 1997 he returns to Naad Bindu by paring the colour spectrum down to monochromes of black, white and grey.
Mar 26, 2022 · Let us look at three of his very popular fine art prints that encompass most of the stylistic features of art by S.H. Raza as it developed and matured. Panchatatva is a three-part work...
Feb 22, 2022 · The bindu was to become the center of his universe – the epicentre of his maze of geometric patterns and also his abstract landscapes – through which he introduced the world to Indian spiritual iconography.
- Vandana Kalra
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Jul 23, 2017 · Raza perceived the Bindu as the centre of all creation and existence, stating that “Bindu is a source of energy, source of life. Life begins here, attains infinity here”. Interestingly, Raza’s art and creation also began with the Bindu.
The Bindu came forth in 1980, and took his work deeper and brought in his new-found Indian vision and Indian ethnography. One of the reasons he attributes to the origin of the 'Bindu', has been his elementary school teacher, who on finding him lacking adequate concentration, drew a dot on the blackboard and asked him to concentrate on it.
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Apr 14, 2023 · Sayed Haider Raza was a modernist giant whose signature Bindu — mainly acrylic-based paintings of large black circles or dots, accompanied by geometric grids that riff on ancient Hindu concepts of spirituality — are some of the most sought-after and expensive pieces of art in the Indian pantheon.