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Nalini Malani (born 19 February 1946) is an Indian artist, among the country's first generation of video artists. She works with several mediums which include theater, videos, installations along with mixed media paintings and drawings.
Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing in its condemnation of a cynical nationalism that exploits the beliefs of the masses.
Jul 5, 2023 · Nalini Malani, an internationally acclaimed contemporary Indian artist. A trailblazer, feminist, activist and pioneer for multimedia art.
Nalini Malani (born 1946) is a contemporary Indian artist. In her early career, she primarily worked in the realms of painting and drawing. Since the 1990s her work expanded to other forms of media like video, film and projected animation.
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Nalini Malani (born 19 February 1946) is an Indian artist, among the country's first generation of video artists. She works with several mediums which include theater, videos, installations along with mixed media paintings and drawings.
Sep 19, 2020 · T he coronavirus pandemic has forced a rapid move into the digital realm upon much of the cultural world, but it’s a shift that Nalini Malani – who has experimented with technology in her work since the 1960s – was more than prepared to embrace.
Creating phantasmagorical spaces with approachable art forms using various media, Nalini Malani has produced works to bring the voice of the voiceless to more people. She is one of the pioneering non-Western artists who are internationally active.
Nalini Malani was born in 1946 in Karachi. She’s an established multimedia artist who adapts traditional skills to new technology. She graduated with a diploma in Fine Arts from the JJ School of Art, Mumbai in 1969. In 1970, she received a French scholarship for Fine Arts to study in Paris.
Aug 4, 2023 · Nalini Malani, Can You Hear Me?, 2018–20, nine-channel video with 88 hand-drawn iPad animations, color, sound. Installation view, Montreal Museum of Fine Arts. Photo: Jean-François Brière. My work is about how women are denied from having a sense of agency in a patriarchal society.
