Yahoo India Web Search

Search results

  1. Alma mater. Kirori Mal College. Occupation. Film director. Years active. 2004–present. Known for. Dhoom 3. Vijay Krishna Acharya is an Indian film director, screenwriter, dialogue writer known for his works in Hindi films and television shows.

  2. Vijay Krishna Acharya: Nickname(s) Viktor Acharya, Acharya: Profession(s) Film Director, Screenwriter, Dialogue Writer, Lyricist: Physical Stats & More: Height (approx.) in centimeters- 165 cm in meters- 1.65 m in feet inches- 5’ 5” Weight (approx.) in kilograms- 65 kg in pounds- 145 lbs: Eye Colour: Dark Brown: Hair Colour: Bald: Personal ...

    • Viktor Acharya, Acharya
    • Vijay Krishna Acharya
  3. Vijay Krishna is an Indian actor, who is known for working in the Kannada and Hindi theatre, film, and TV industries. He appeared in the 2023 Bollywood film ‘The Kerala Story’ directed by Sudipto Sen .

  4. Vijay Krishna Acharya was born on 1 January 1968 in Kanpur, Uttar Pradesh, India. He is a director and writer, known for Dhoom 3 (2013), Dhoom 2 (2006) and Dhoom (2004). He is married to Anusheh Khan.

    • January 1, 1
    • 4 min
    • Kanpur, Uttar Pradesh, India
  5. Mumbai | January 11, 2014 12:20 IST. Follow Us. Vijay Krishna Acharya: I’d like to believe that we’ve re-invented the ‘Dhoom’ world with this film. Its official, ‘Dhoom 3’ is nearing what no Hindi movie has ever been able to achieve. It has broken all previous BO records. The debate now is – Are we making movies to break records?

  6. Nov 24, 2021 · By Filmibeat Desk. Updated: Wednesday, November 24, 2021, 12:17 [IST] Vijay Krishna (Viktor) Acharya, the writer of Yash Raj Films' Dhoom and Dhoom 2 and the director of Dhoom 3, has given...

  7. People also ask

  8. Aug 27, 2020 · Filmmaker Vijay Krishna Acharya who wrote screenplays for all three films of the Dhoom franchise, besides directing the third installment starring Aamir Khan said on the 16th anniversary of Dhoom release that he and Aditya Chopra were "pleasantly surprised" with the mind-blowing reaction of the audience towards the first film.