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Diana Vreeland (September 29, 1903 [2] – August 22, 1989) was an American fashion columnist and editor. She worked for the fashion magazine Harper's Bazaar and as editor-in-chief at Vogue, later becoming a special consultant to the Costume Institute of the Metropolitan Museum of Art.
Diana Vreeland (born July 29, 1903, Paris, France—died August 22, 1989, New York, New York, U.S.) was an American editor and fashion expert whose dramatic personality and distinctive tastes marked her successful leadership of major American fashion magazines during the mid-20th century.
The true gold standard of fashion and style credibility, Mrs. Vreeland is responsible for launching many iconic careers, establishing countless trends that have stood the test of time, and bringing an unprecedented and incontrovertible perspective to the fashion world that has scarcely been seen since.
Aug 17, 2012 · 15 THINGS YOU DIDN'T KNOW ABOUT DIANA VREELAND: 1. The pillows in her home were infused with perfume via hypodermic needles. 2. Before becoming a fashion editor, Diana had a lingerie shop in...
Apr 5, 2020 · Before becoming American Vogue’s editor-in-chief, fashion legend Diana Vreeland wrote a column full of tongue-in-cheek suggestions for Harper’s Bazaar; here’s how to put them into practice while under quarantine.
Aug 26, 2011 · Diana Vreeland, one of history's most celebrated editors, brought her imagination and wit to life on the pages of Harper's Bazaar.
May 29, 2018 · Diana Vreeland (1903–1989) was, and continues to be, an iconic figure in fashion history, whose distinctive personal style and penchant for fantasy influenced her work at Vogue and the exhibitions she organized at the Costume Institute of the Metropolitan Museum of Art.
Aug 23, 1989 · Diana Vreeland, the legendary fashion editor and creator of spectacular fashion exhibitions at the Metropolitan Museum of Art in New York City, died of a heart...
Sep 21, 2012 · Vreeland, née Diana Dalziel, was born in Paris around the turn of the 20th century and died in New York in 1989. In between she lived an extraordinary life that, in classic American...
Diana Vreeland was an editor, and her approach to exhibitions reflects that fact. It was usually through a process of elimination that she arrived at the right balance in an exhibition, and to that end, she often borrowed more than she used, editing down to what was just right for the desired effect.
