Don Quixote de La Mancha/Miguel de Cervantes/Alonso Quijana
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Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion.
Sep 8, 1973 · Man of La Mancha: Directed by Arthur Hiller. With Peter O'Toole, Sophia Loren, James Coco, Harry Andrews. The funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.
- (4.8K)
- Drama, Fantasy, Musical
- Arthur Hiller
- 1973-09-08
In the sixteenth century, Miguel de Cervantes, poet, playwright, and part-time actor, has been arrested, together with his manservant, by the Spanish Inquisition. They are accused of presenting an entertainment offensive to the Inquisition.
- (78)
- Arthur Hiller
- PG
- 10
In the volatile days of the Spanish Inquisition, the writer Miguel de Cervantes (Peter O'Toole) and his manservant (James Coco) make livings as tax collectors but soon find themselves imprisoned ...
- (17)
- Arthur Hiller
- PG
- Peter O'toole
Man of La Mancha. Peter O'Toole dreams of unsullied love and unending gallantry as Don Quixote in this magnificent film version of the stage success. Sophia Loren and James Coco round out the cast. 1,215 IMDb 6.5 2 h 8 min 1972. X-Ray PG.
- 128 min
When a dancer like Astaire is working, you undermine his artistry if you move the camera a lot, and edit incessantly. Audiences need a stable visual base to appreciate good choreography. They don't get it in "Man of La Mancha." The mystery of Peter O'Toole deepens with the release of this movie. He is a film actor of considerable talent, granted.
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Man Of La Mancha (1972) -- (Movie Clip) By Edict Of The Inquisition From the opening sequence, Spaniards mocking their masters, a masked prisoner is Peter O'Toole, here playing the author Cervantes, supported by manservant James Coco, from Alberto Grimaldi's 1972 production of the hit Broadway musical, Man Of La Mancha.
