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  1. Daisies (Czech: Sedmikrásky) is a 1966 Czechoslovakian arthouse surrealist experimental satirical psychological farce comedy film written and directed by Věra Chytilová. Regarded as a milestone of the Czechoslovak New Wave movement, [5] [6] it follows two young women (Jitka Cerhová and Ivana Karbanová), both named Marie, who engage in ...

  2. Dec 10, 2022 · A satirical, wild and irreverent story of rebellion, Vera Chytilová’s classic of surrealist cinema is perhaps also the most adventurous and anarchic Czech movie of the 1960s. Two young women, both named Marie, revolt against a degenerate, decayed and oppressive society, attacking symbols of wealth and bourgeois culture.

    • 78 min
  3. www.imdb.com › title › tt0060959Daisies (1966) - IMDb

    Daisies: Directed by Vera Chytilová. With Ivana Karbanová, Jitka Cerhová, Marie Cesková, Jirina Myskova. After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves.

    • (16K)
    • Comedy
    • Vera Chytilová
    • 1966-12-30
  4. Mar 27, 2021 · Daisies. Maybe the New Waves most anarchic entry, Věra Chytilovás absurdist farce follows the misadventures of two brash young women. Believing the world to be “spoiled,” they embark on a series of pranks in which nothing—food, clothes, men, war—is taken seriously.

    • 76 min
    • 16.3K
    • Shadows of the Dark
  5. The result is Daisies, the most defiant provocation of the Czechoslovak New Wave, an exuberant call to rebellion aimed squarely at those who uphold authoritarian oppression in any form. If the entire world is bad, why shouldn’t we be?

    • Marie I
  6. Apr 9, 2017 · Teeming with silent-era affectation and ebullient editorial handiwork, Daisies conceals political allusions beneath slapstick and stylistic extravagance, transforming mischief and chaos into egalitarian protest.

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  8. www.bfi.org.uk › film › 80a5e60b-c976-5295-aa1bDaisies (1966) | BFI

    Daisies. “Released two years before the 1968 Prague Spring, Věra Chytilovás second feature follows the misadventures of two young women who decide to mirror the indulgent world around them. In their universe, nothing traditional is sacred: food, clothes, men and war become both ammunition and subject of their pranks.