François Durnais
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The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day.
Apr 23, 2009 · For download - http://www.4shared.com/audio/DYS3BOhd/Offenbach_-_Can_Can_from_Orphe.html?s=1
Feb 3, 2018 · Can-Can is a 1960 musical film made by Suffolk-Cummings productions and distributed by 20th Century Fox. It was directed by Walter Lang, produced by Jack Cummings and Saul Chaplin, from a ...
Can-Can is a 1960 American musical film made by Suffolk-Cummings productions and distributed by 20th Century Fox. It was directed by Walter Lang, produced by Jack Cummings and Saul Chaplin. The screenplay was written by Dorothy Kingsley and Charles Lederer, loosely based on the musical play by Abe Burrows.
Cancan, lively and risque dance probably of French origin, usually performed onstage by four women. Known for its high kicks in unison that exposed both the petticoat and the leg, the cancan was popular in Parisian dance halls in the 1830s and appeared in variety shows and revues in the 1840s.
The French can-can is an iconic dance with devotees all over the world - read about the history of the French can-can from humble beginnings to Hollywood.
The can-can (also spelled cancan) is a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, like the fashions of the 1890s. The can-can was first danced in low class ballrooms of Montparnasse in Paris about 1830.
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Considered today a tourist attraction of Paris at night, with a cheeky scent, the can can dance has a history intimately linked to the emancipation of the Parisians in general and women in particular. Here’s the sulfurous story behind this subversive, feminist, and anti-establishment French cancan.
The Can-Can dance was raucous and risqué, reaching its height of popularity in 1900 during the Belle Époque. Parisian cabarets promoted the dance and Jane Avril and La Goulue popularized it in the night clubs of Montmartre. Henri de Toulouse-Lautrec depicted it in his famous painting, At the Moulin Rouge: The Dance.
