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  1. Plot. Eight years after the events of the first film, Dr. Vaseegaran creates an android humanoid assistant named Nila which he introduces to a group of college students while reminiscing about Chitti, his previous creation, which was dismantled after the robot had gone on a murderous rampage.

  2. Nov 3, 2018 · Dharma Productions. 10.9M subscribers. Subscribed. 850K. 95M views 5 years ago #2Point0 #Rajinikanth #LycaProductions. Unleashing the official trailer of our magnum opus "2.0" Starring...

    • 2 min
    • 95.5M
    • Dharma Productions
  3. www.imdb.com › title › tt50805562.0 (2018) - IMDb

    Nov 29, 2018 · 2.0 is a 2018 Indian action sci-fi thriller film directed by S. Shankar and starring Rajinikanth, Akshay Kumar and Amy Jackson. The film follows the adventures of a robot and a scientist who face a mysterious bird-shaped creature that can control cell phones.

    • (27K)
    • Action, Sci-Fi, Thriller
    • S. Shankar
    • 2018-11-29
  4. Synopsis. An ornithologist who commits suicide returns as fifth force to wreack vengeance on mankind for harming birds with mobile phone radiation. The only thing that is standing in his way is 2.0, the upgraded version of Chitti, the robot.

    • Shankar
    • UA
    • 4
  5. 2.0 (Hindi) Dr Vaseegaran (Rajinikanth) and his android assistant Nila (Amy Jackson) are called in for help after mobiles start mysteriously flying out of the hands of people in Chennai. Vaseegaran summons his trusted robot Chitti (Rajinikanth) to ward off the bird-shaped supernatural powers of Pakshirajan (Akshay Kumar).

  6. Sep 12, 2018 · Dharma Productions. 10.9M subscribers. Subscribed. 932K. 74M views 5 years ago #2Point0 #2Point0Teaser. Proudly presenting the Official Teaser of our Magnum Opus "2.0" Starring Rajinikanth,...

    • 2 min
    • 74.8M
    • Dharma Productions
  7. Nov 30, 2018 · Rajinikanth stars as a scientist who revives his robot Chitti to fight a cell phone-controlled bird monster in this Indian sci-fi action film. The review praises the film's energy, humor, and spectacle, but also notes its absurdity and repetition.