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Mohana Krishna Indraganti is an Indian director known for his works predominantly in Telugu cinema. His debut directorial venture Grahanam (2005) fetched him eleven awards including the National Film Award for Best First Film of a Director , the Nandi Award for Best First Film of a Director and the Gollapudi Srinivas Award for Best First Film of a Director . [1]
Learn about the life and career of Mohana Krishna Indraganti, a prominent Telugu film director who won the National Film Award for his debut film "Grahanam". Explore his filmography, awards, family, and latest news on Filmy Focus.
- Director, Screenwriter
- Tanuku Andhra Pradesh
- Mohana Krishna Indraganti
- 17/04/1972
Mohana Krishna Indraganti is a Telugu writer and director, born in 1972. He has worked on films like Grahanam, V, Sammohanam and Ashta Chamma. See his biography, awards, credits and trivia on IMDb.
- January 1, 1
- Writer, Director
- Andhra Pradesh, India
- Mohana Krishna Indraganti
Mohana Krishna Indraganti is a popular Telugu film director, writer, and actor. He made his debut with Grahanam, a National Award-winning movie, and also directed hits like Ashta Chamma, Gentleman, and Ami Thumi.
- Male
- Actor
- Indian
- April 17, 1972
Interview with. Mohana Krishna Indraganti. Date: 18 November 2006, Hyderabad. Mohan Krishna Indraganti won eleven awards including the national award and Nandi award for his directorial debut Grahanam. Coming from a family of literary lineage, Mohana Krishna completed formal film training in Canada before venturing into films.
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Apr 17, 2024 · Indraganti Mohana Krishna is born and bought up in a family with literature background. His father Srikanth Sharma and mother are writers. His forefathers were also familiar with writing. Obviously, Indraganti gets attracted towards stories and literature. He completed Master of Fine Arts in York University. Earlier into films he made a horror ...
Jun 19, 2018 · The writer-director of Sammohanam, a romantic comedy starring Aditi Rao Hydari and Sudheer Babu, talks about his creative process, sources of inspiration, and the prejudice faced by film industry. He reveals how he met the idea of Sammohanam, how he humanised actors in the film, and how he dealt with the contradiction of being attracted and repelled by the medium.
