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  1. Grigori Vasilyevich Aleksandrov or Alexandrov (Russian: Григо́рий Васи́льевич Алекса́ндров; artist name was Мормоненко or Mormonenko; 23 January 1903 – 16 December 1983) was a prominent Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labour in 1973.

  2. Grigori Aleksandrov was a Soviet-Russian filmmaker best known as director of Volga - Volga (1938), The Circus (1936), and October (Ten Days that Shook the World) (1927), as well as co-star in Battleship Potemkin (1925) by director Sergei Eisenstein.

    • January 1, 1
    • Yekaterinburg, Russian Empire [now Russia]
    • January 1, 1
    • Moscow, USSR [now Russia]
  3. Grigori Vasilyevich Aleksandrov or Alexandrov (original family name was Mormonenko; 23 January 1903 - 16 December 1983) was a prominent Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labor in 1973. He was awarded the Stalin Prizes for 1941 and 1950.

  4. Grigori Vasilyevich Aleksandrov or Alexandrov ( Russian: Григо́рий Васи́льевич Алекса́ндров; artist name was Мормоненко or Mormonenko; 23 January 1903 – 16 December 1983) was a prominent Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labour in 1973.

  5. Grigorii Aleksandrovs musical comedy films, created with composer Isaak Dunaevskii, were the most popular Russian cinema of the 1930s and ’40s. Drawing on studio documents, press materials, and interviews with surviving film crew members, The Musical Comedy Films of Grigorii Aleksandrov presents the untold production history of the films ...

  6. An in-depth review of the film October (1928) directed by Grigori Aleksandrov, featuring Nikolay Popov, Vasili Nikandrov, Layaschenko

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  8. Soviet film director. Learn about this topic in these articles: history of motion pictures. In history of film: Postsynchronization. Grigory Aleksandrov denounced synchronous sound in favour of asynchronous, contrapuntal sound—sound that would counterpoint the images it accompanied to become another dynamic element in the montage process.