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Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director and screenwriter. While lesser-known internationally than contemporaries such as Akira Kurosawa , Kenji Mizoguchi and Yasujirō Ozu , he was a household figure in his home country, beloved by both critics and audiences from ...
Keisuke Kinoshita was a Japanese writer and director who made films such as Twenty-Four Eyes, The Ballad of Narayama and The Garden of Women. He was born in 1912 and died in 1998, and directed Japan's first color film in 1951.
- January 1, 1
- Hamamatsu, Shizuoka, Japan
- January 1, 1
- Tokyo, Japan
Keisuke Kinoshita was a masterful Japanese filmmaker whose career spanned over five decades, from the early 1940s to the late 1980s. He is renowned for his diverse storytelling techniques and the wide range of genres he explored, from heartfelt dramas to satirical comedies and powerful anti-war statements.
May 17, 2018 · One of Japan's most popular filmmakers after World War II, Keisuke Kinoshita (1912-1998) was a prolific director, writer, and producer, specializing in sentimental dramas and comedies and the use of innovative, expressionistic sets.
Mar 1, 2021 · Keisuke Kinoshita, World War II, drama, English-subtitles. Language. Japanese. Kinoshita’s ambitious and intensely moving film begins as a multigenerational epic about the military legacy of one Japanese family, before settling into an emotionally complex portrayal of parental love during wartime.
- The Ballad of Narayama (1958) “The Ballad of Narayama” is a deeply moving narrative set in a secluded mountain hamlet where the stark truths of existence birth a solemn custom.
- Twenty-Four Eyes (1954) “Twenty-Four Eyes” chronicles the transformative path of Hisako Oishi, an enthusiastic and forward-thinking teacher stationed in a secluded island community.
- A Legend, or Was It? (1963) Set during the end of World War II, “A Legend, or Was It?” reveals the distressing journey of a mother and her three children as they desperately attempt to find sanctuary, moving from Okinawa to the colder realms of Hokkaido.
- She Was Like a Wild Chrysanthemum (1955) In “She Was Like a Wild Chrysanthemum,” the audience becomes immersed in the deeply emotional journey of Masao, an elderly man who fondly and vividly remembers his time as a young man in love with his cousin, Tamiko.
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Kinoshita Keisuke (born Dec. 5, 1912, Hamamatsu, Shizuoka prefecture, Japan—died Dec. 30, 1998, Tokyo) was one of Japan’s most popular motion-picture directors, known for satirical social comedies.
