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Rodrigo Prieto Stambaugh, ASC, AMC (born November 23, 1965), is a Mexican cinematographer. He has collaborated with Martin Scorsese and Alejandro González Iñárritu , among other prominent directors.
Rodrigo Prieto is a Mexican cinematographer. He is best known for Brokeback Mountain (2005), Babel (2006), Argo (2012), The Wolf of Wall Street (2013), and Silence (2016). He also worked with Alejandro González Iñárritu on the acclaimed Amores perros (2000), 21 Grams (2003), and Biutiful (2010).
Rodrigo Prieto is a Mexican cinematographer. He is best known for Brokeback Mountain (2005), Babel (2006), Argo (2012), The Wolf of Wall Street (2013), and Silence (2016). He also worked with Alejandro González Iñárritu on the acclaimed Amores perros (2000), 21 Grams (2003), and Biutiful (2010).
Nov 11, 2023 · Veteran cinematographer Rodrigo Prieto’s versatility could not be more evident than in his most recent work, which called for filming a 1920s Osage Nation in Martin Scorsese’s Killers of the...
Feb 22, 2024 · Rodrigo Prieto, cinematographer for 'Killers of the Flower Moon' and 'Barbie,' shares his childhood love for him to working with Spike Lee, Greta Gerwig and more.
Oct 19, 2023 · Rodrigo Prieto, cinematographer of Killers of the Flower Moon, is a master of versatility. He also shot this year's Barbie, and an astonishing number of other very dissimilar films.
Rodrigo Prieto spent the past couple years living in completely different worlds. The Mexico City-born cinematographer spent the majority of 2021 in Oklahoma, working on Martin Scorsese's historical epic Killers of the Flower Moon.
Dec 7, 2023 · Academy Award–nominated cinematographer Rodrigo Prieto, renowned for The Wolf of Wall Street, Barbie, and Killers of the Flower Moon, chats with us on the transformative impact AI and machine ...
Oct 12, 2023 · Mexico's Rodrigo Prieto has developed close working relationships with Martin Scorsese, Greta Gerwig and Taylor Swift. And he's directing his own movie as well.
Feb 5, 2024 · In shooting Leonardo Di Caprio and Lily Gladstone at a train station, cinematographer Rodrigo Prieto wanted audiences to “see what she sees, a sea of white faces that seem to rise out of the ...
