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  1. Modest Petrovich Mussorgsky (Russian: Модест Петрович Мусоргский, romanized: Modest Petrovich Musorgsky, IPA: [mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj] ⓘ; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881) was a Russian composer, one of the group known as "The Five".

  2. Modest Mussorgsky (born March 9 [March 21, New Style], 1839, Karevo, Russia—died March 16 [March 28], 1881, St. Petersburg) was a Russian composer noted particularly for his opera Boris Godunov (final version first performed 1874), his songs, and his piano piece Pictures from an Exhibition (1874).

  3. Modest Mussorgsky, (born March 21, 1839, Karevo, Russia—died March 28, 1881, St. Petersburg), Russian composer. Composing without training in his teens, he met several of the composers with whom he later made up The Five, a group with the common goal of creating a nationalist school of Russian music.

  4. Modest Petrovich Mussorgsky (Russian: Моде́ст Петро́вич Му́соргский, Modest Petrovič Musorgskij) (March 9, 1839 – March 16, 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the ...

  5. Modest Petrovich Mussorgsky was a Russian composer renowned for his innovative contributions to Russian music in the 19th century. His compositions, particularly his operas and piano works, are celebrated for their vivid portrayal of Russian life and culture.

  6. Russian composer Modest Mussorgsky is undoubtedly best-known for two pieces: his fiery orchestral tone poem Night on a Bare Mountain (sometimes rendered as Night on Bald Mountain), depicting a gruesome witches' sabbath, and his Pictures at an Exhibition, a suite consisting of musical representations of several paintings by the composer's friend ...

  7. Modest Petrovich Mussorgsky (21 March 1839 – 28 March 1881) was a Russian composer. He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.