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  1. Aubrey Schenck (August 26, 1908, New York City – April 14, 1999, Murrieta, California) was an American film producer from the 1940s through the 1970s. Biography [ edit ] The son of George Schenck, a Russian immigrant theatrical manager, and Mary Schenck, Schenck was a nephew of Joseph and Nicholas Schenck .

  2. Aubrey Schenck. Producer: Frankenstein 1970. Aubrey Schenck practiced law for seven years (1932-39) in New York City, connected with the legal department of 20th Century-Fox; he was also an assistant to Fox president Spyros P. Skouras, who was based in New York.

    • Producer, Additional Crew, Writer
    • August 26, 1908
    • Aubrey Schenck
    • April 14, 1999
  3. Aubrey Schenck. Producer: Frankenstein 1970. Aubrey Schenck practiced law for seven years (1932-39) in New York City, connected with the legal department of 20th Century-Fox; he was also an assistant to Fox president Spyros P. Skouras, who was based in New York. Schenck wrote a story and submitted it to the studio, asking to be given the chance to produce the picture as well. When the resultant movie (Shock (1946)...

    • August 26, 1908
    • April 14, 1999
  4. Dec 31, 2014 · Twentieth Century-Fox Film Corporation. This post-World War II suspense thriller sets off an emotional roller coaster after the psychologically fragile wife of a POW (Anabel Shaw) witnesses a brutal murder from a hotel window while waiting to be reunited with her husband (Frank Latimer). By the time he arrives, she's nearly comatose with shock.

    • 69 min
  5. Aubrey Schenck – Movies, Bio and Lists on MUBI

  6. Feb 19, 2017 · This production from Aubrey Schrenk and Howard Koch released through United Artists, Co-directed by Edmond O'Brien and Howard Koch was an adult, tough as nails, film noir at least two cuts above the standard film noir of the 1950's. Fast paced and an in depth portrayal of a policeman gone mad over a 19 year old young girl and a need for money.

  7. Dec 31, 2014 · Aubrey Schenck Productions, Eagle-Lion Films Port of New York is a 1949 film shot in semidocumentary style. The film is notable for being Yul Brynner's first movie.