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      • Lee Man-hee (October 6, 1931 – April 13, 1975) was a South Korean film director who worked prominently in South Korea's film industry during the 1960s and early 1970s. His works include Assassin (1969). He died in 1975 from liver cancer.
      en.wikipedia.org/wiki/Lee_Man-hee_(director)
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  2. Lee Man-hee (October 6, 1931 – April 13, 1975) was a South Korean film director who worked prominently in South Korea's film industry during the 1960s and early 1970s. His works include Assassin (1969). He died in 1975 from liver cancer. His daughter, Lee Hye-young, is an actress. Movies. Kaleidoscope (1961)

  3. His new films since 1966 still continued possessing his unique cinematic characteristics, but unlike his previous works, they portrayed Lee Man-hee as a director of his own artistic worldview. One...

  4. en.wikipedia.org › wiki › Lee_Man-heeLee Man-hee - Wikipedia

    Lee Man-hee (Korean: 이만희; Hanja: 李萬熙; born 15 September 1931) is a Korean cult leader. Lee is the founder of the Shincheonji Church of Jesus, a South Korean religious group with teachings derived from Christianity that is considered a pseudoreligion or cult by mainstream Christian churches.

  5. www.imdb.com › name › nm0497802Lee Man-hee - IMDb

    Lee Man-hee was born on 6 October 1931 in Seoul, Korea. He was a director and writer, known for Road to Sampo (1975), Marine Battleground (1963) and Ilbon haejug (1972). He was married to Moon Jung-suk. He died in 1975 in Seoul, South Korea.

    • Director, Writer
    • October 6, 1931
    • Man-hui Lee
  6. Director. One of the most important Korean filmmakers in the 1960s and 70s, LEE Man-hee established his reputation as a master of genre cinema, at a time the industry had yet to embrace horrors and thrillers, which have since become staples of the local film scene.

  7. m.koreanfilm.or.kr › mobile4 › jspLEE Man-hee

    Director. A girl who looks like the sun (1975) Director. The wild flowers in the battle field (1974)

  8. Lee Man-hee’s breakthrough feature, The Marines Who Never Returned, remains one of the greatest Korean War films ever made, skillfully balancing tense battle sequences and heartfelt camaraderie between the soldiers and their newly adopted orphan girl.