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Balaji Sakthivel is an Indian actor and director of Tamil films. He is best known for directing the 2004 film, Kaadhal.
Balaji Sakthivel. Writer: Vazhakku Enn 18/9. Balaji Sakthivel began as an assistant director of popular director S. Shankar. In 2002, he directed his first film, Samurai for Vikram - however despite receiving positive reviews, did not make it big at the box-office.
Jun 15, 2023 · #balajishakthivel #vikram #kadhal #samuraiJoin us for an exclusive interview with the talented director Balaji Shakthivel as he takes us on a nostalgic journ...
Feb 23, 2024 · Balaji Sakthivel is an Indian actor and director known for his work in Tamil cinema. He gained recognition for directing the acclaimed 2004 film “Kaadhal.” Starting his career as an assistant director to S. Shankar, Balaji Sakthivel made his directorial debut with the film “Samurai” in 2002.
Kaadhal (transl. Love) is a 2004 Indian Tamil-language romantic drama film based on a true story, directed by Balaji Sakthivel, starring Bharath and Sandhya. It was produced by S. Shankar and featured music composed by Joshua Sridhar .
Mar 17, 2012 · Director Balaji Sakthivel's list of priorities is interesting. At a time when most people accord importance to factors such as power, fame and fortune, his list has trust and living up to...
Sakthivel maintains a fine, calibrated balance between the formulaic and the artistic. Our senior editor, Pradeep Sebastian, caught up with this soft spoken, mild, humble, and articulate director.
Balaji Sakthivel. Writer: Vazhakku Enn 18/9. Balaji Sakthivel began as an assistant director of popular director S. Shankar. In 2002, he directed his first film, Samurai for Vikram - however despite receiving positive reviews, did not make it big at the box-office.
Sep 25, 2019 · Director Balaji Sakthivel talks in detail about the gut-wrenching climax of Kaadhal. A lot of producers declined Kaadhal’s script because of its hard-hitting climax.
BALAJI SAKTHIVEL. Coming from the stables of director Shankar, Balaji Sakthivel shocked the audience with raw intensity in Kaadhal and followed it up with a mild Kalloori only to spring back with...
