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  1. Special Effects - Photographic Effects by Paul Detlefsen, John Crouse; Sound Effects by Nathan Levinson

    • Academy Award for Special Effects 19451
    • Academy Award for Special Effects 19452
    • Academy Award for Special Effects 19453
    • Academy Award for Special Effects 19454
    • Academy Award for Special Effects 19455
    • Best Motion Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Cinematography

    Anchors Aweigh – Metro-Goldwyn-Mayer The Bells of St. Mary’s – Rainbow Productions The Lost Weekend – Paramount Mildred Pierce – Warner Bros. Spellbound– Selznick International Pictures

    The Bells of St. Mary’s – Leo McCarey The Lost Weekend – Billy Wilder National Velvet – Clarence Brown The Southerner – Jean Renoir Spellbound– Alfred Hitchcock

    Bing Crosby – The Bells of St. Mary’s Gene Kelly – Anchors Aweigh Ray Milland – The Lost Weekend Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember

    Ingrid Bergman – The Bells of St. Mary’s Joan Crawford – Mildred Pierce Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Leave Her to Heaven

    Michael Chekhov – Spellbound John Dall – The Corn Is Green James Dunn – A Tree Grows in Brooklyn Robert Mitchum – G. I. Joe J. Carrol Naish – A Medal for Benny

    Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green Anne Revere – National Velvet

    The Affairs of Susan – Thomas Monroe, Laszlo Gorog The House on 92nd Street – Charles G. Booth A Medal for Benny – John Steinbeck, Jack Wagner Objective, Burma! – Alvah Bessie A Song to Remember– Ernst Marischka

    “Accentuate The Positive” – Here Come the Waves – Music by Harold Arlen; Lyrics by Johnny Mercer “Anywhere” – Tonight and Every Night – Music by Jule Styne; Lyrics by Sammy Cahn “Aren’t You Glad You’re You?” – The Bells of St. Mary’s – Music by James Van Heusen; Lyrics by Johnny Burke “The Cat And The Canary” – Why Girls Leave Home – Music by Jay L...

    The Bells of St. Mary’s – Harry Marker The Lost Weekend – Doane Harrison National Velvet – Robert J. Kern Objective, Burma! – George Amy A Song to Remember– Charles Nelson

    The Keys of the Kingdom – Arthur Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller The Picture of Dorian Gray – Harry Stradling Spellbound– George Barnes

  2. Dec 3, 2023 · In this article, we’ll take you on a cinematic journey through the full list of Academy Award winners for Best VFX and highlight the top 10 films that have left an indelible mark on the history of cinema with their astonishing visual effects.

  3. The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network (later ABC Radio ).

  4. The 18th Academy Awards were held on March 7, 1946, at Grauman's Chinese Theatre to honor the films of 1945. Being the first Oscars after the end of World War II, the ceremony returned to the glamour of the prewar years; notably, the plaster statuettes that had been used during the war were replaced by bronze statuettes with gold plating and an ...

    Best Motion Picture
    Best Director
    The Lost Weekend – Charles Brackett for ...
    Billy Wilder – The Lost Weekend ‡ Leo ...
    Ray Milland – The Lost Weekend as Don ...
    Joan Crawford – Mildred Pierce as Mildred ...
    James Dunn – A Tree Grows in Brooklyn as ...
    Anne Revere – National Velvet as Mrs ...
    Marie-Louise – Richard Schweizer ‡ ...
    The Lost Weekend – Charles Brackett and ...
  5. The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980 .

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  7. An Academy Award-winning Paramount Headliner short featuring a tour of the animal kingdom with the animals tossing around quips and jokes via dubbing and special effects. The narration is by Ken Carpenter, and the ending is a rendition of "Cow-Cow Boogie" by a "cow soloist" and some cow-pasture harmonizers.