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Lindsey Collins is a vice president of development and a producer at Pixar Animation Studios. She has worked on films such as "Finding Dory," "WALL.E," and "Cars," and voiced the character Mia in the latter.
- Additional Crew, Actress, Producer
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- Filmography
Lindsey Collins joined Pixar in 1997. She co-produced WALL•E, for which she received an award for Outstanding Animation in an Animated Motion Picture from the Visual Effects Society (along with Andrew Stanton, Jim Morris and Nigel Hardwidge). She has also worked on Finding Nemo, Toy Story 2 and A Bug's Life.
Prior to Pixar, Collins worked for The Walt Disney Company on films such as Pocahontas, The Hunchback of Notre Dame and Hercules.
•A Bug's Life (1998): lighting manager
•Toy Story 2 (1999): editorial manager
•Finding Nemo (2003): production manager
•Cars (2006): voice of Mia
•Ratatouille (2007): additional production management
•WALL•E (2008): co-producer
It was directed by Domee Shi (in her feature directorial debut) and produced by Lindsey Collins, from a screenplay written by Shi and Julia Cho, and a story by Shi, Cho, and Sarah Streicher. The film marks the first Pixar feature film solely directed by a woman.
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Mar 10, 2022 · Lindsey Collins is the producer of Turning Red, a Pixar film about a girl who transforms into a red panda. She talks about how she pitched the idea, what made it stand out, and the Easter eggs in the movie.
- Ash Crossan
May 3, 2022 · In an interview with CBR, Turning Red director Domee Shi and producer Lindsey Collins discuss how they brought the animated film to life.
- Host / Interviewer
Mar 12, 2022 · Lindsey Collins is a producer on Turning Red, a film about a 13-year-old girl who turns into a red panda. She talks about working on the film during a pandemic, collaborating with director Domee Shi, and why the story is set in Toronto.
Mar 11, 2022 · Learn how the director and producer of Pixar's latest movie, Turning Red, created a relatable story about a girl who turns into a red panda. Find out their inspiration, advice, and personal connections to the film.
