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  1. Matthias Deyle is a German film producer. Filmography. Love, Vampire Style (1970) Hanna von acht bis acht (1983, TV film) Kinder unseres Volkes (1983, TV film) Abwärts (1984) The Lightship (1985) Die Küken kommen (1985) Der Junge mit dem Jeep (1986, TV film) Hatschipuh (1987) Sentimental Journey (1987, TV film) Pizza-Express (1988, TV film)

  2. Matthias Deyle is known for Terminator 3: Rise of the Machines (2003), The Quiet American (2002) and Alexander (2004). Add photos, demo reels. Add to list. More at IMDbPro. Contact info. Agent info. Known for. Terminator 3: Rise of the Machines. 6.3. Producer (IMF) 2003. The Quiet American. 7.0. Producer (IMF) 2002. Alexander. 5.6. Producer. 2004.

    • Producer, Production Manager
    • Matthias Deyle
  3. The family business telenormfilm was founded in 1971 by Matthias Deyle. Since then telenormfilm produced successful more than hundreds of hours entertainment. Since 2009 the company is led in the second generation by the brothers Florian Deyle and Philip Schulz-Deyle.

  4. Fráncfort del Meno y alrededores, Alemania. Head of Business Unit Industrial & Consumer Specialties. • Turnover 350 Mio. €. • Responsibility for Germany, Austria and Switzerland. • Personnel...

    • Hoechst AG Bad Hersfeld
    • 129
    • Clariant SE
    • Fráncfort del Meno y alrededores, Alemania
  5. Matthias Deyle is known as an Producer and Executive Producer. Some of their work includes Terminator 3: Rise of the Machines, The Aviator, Alexander, K-19: The Widowmaker, Basic Instinct 2, The Quiet American, Slap Her... She's French, and Dead Fish.

  6. Sehen Sie sich das Profil von matthias deyle im größten Business-Netzwerk der Welt an. Im Profil von matthias deyle ist 1 Job angegeben. Auf LinkedIn können Sie sich das vollständige Profil...

    • 101 Follower:innen
  7. K-19: The Widowmaker is a 2002 American historical submarine film directed and produced by Kathryn Bigelow, and produced by Edward S. Feldman, Sigurjon Sighvatsson, Christine Whitaker and Matthias Deyle with screenplay by Christopher Kyle.