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Hugo Santiago Muchnick (12 December 1939 – 27 February 2018) was an Argentine film director. Born in Buenos Aires, Argentina and lived in France from 1959 until his death in 2018. Santiago studied Literature, Philosophy and Music. From 1959-66 he was assistant director to Robert Bresson. In 1969, he made his first feature film Invasión in ...
Jan 12, 2017 · English Subtitles under CC button.(Edit 2018) Subtitles have been correctly synched with the audio.The Invasion is a 1969 Argentinian political thriller co-w...
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- Billionaire Mayor
Hugo Santiago. Director. Writer. Actor. IMDbPro Starmeter See rank. Hugo Santiago has lived in France since 1959. He studied Literature, Philosophy and Music. From 1959 to 1966, he was assistant director to Robert Bresson. He was also a choreographer and metteur en scene for _Histoire du Soldat_ (Stravinsky Festival, 1961).
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- Buenos Aires, Argentina
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- Paris, France
Invasión. Invasión is an Argentine science fiction mystery film released in 1969 and directed by Hugo Santiago and written by Santiago together with Jorge Luis Borges and Adolfo Bioy Casares. Widely regarded as an important cult film, its style is considered as intermediate between classic cinema and the French nouvelle vague.
Feb 28, 2018 · February 28, 2018. France-based Argentine filmmaker Hugo Santiago died yesterday at the age of 78. He was best known for his debut feature Invasión, based on a screenplay by literary icons Adolfo Bioy Casares and Jorge Luis Borges, and considered one of the masterpieces of Latin American cinema. Born Hugo Santiago Muchnick in Buenos Aires ...
The film director Hugo Santiago (Buenos Aires, 1939 – ) made two unique feature films in collaboration with Jorge Luis Borges and Adolfo Bioy-Casares. The first film Invasión / Invasion was made in Argentina in 1969 and second Les Autres / The Others was made in France in 1974.
Mar 9, 2003 · En 1998, acostumbrado a asumir riesgos, el argentino Hugo Santiago aceptó un encargo paradojal: filmar lo invisible. Los 57 minutos de su Blanchot son la crónica de un fracaso anunciado: Maurice Blanchot, “tema” del film, no aparece jamás, pero todas las voces, lugares, imágenes, amigos y textos que el film convoca para atraerlo no hacen más que dejarse atraer por él, rondarlo, merodeando su ausencia o más bien velándola en voz baja, con la gratitud insomne, la desolación y el ...
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- Matias Barrios
