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Which black-and-white films have won the Oscar for Best Cinematography?
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When did black and white movies win the Oscars?
What is the Academy Award for Best Cinematography?
Cinematography (Black-and-White) - Stanley Cortez, Lee Garmes Film Editing - Hal C. Kern, James E. Newcom Best Motion Picture - Selznick International Pictures
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Mar 28, 2021 · The Hustler is the first black and white film on our list, and was awarded the Best Achievement in Cinematography Oscar back when the category was still divided into black and white and color sub-categories.
Apr 19, 2024 · The Oscar for Best Cinematography is an award presented annually by the Academy of Motion Picture Arts and Sciences to recognize exceptional achievements in the art and craft of cinematography.
- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Anchors Aweigh – Metro-Goldwyn-Mayer The Bells of St. Mary’s – Rainbow Productions The Lost Weekend – Paramount Mildred Pierce – Warner Bros. Spellbound– Selznick International Pictures
The Bells of St. Mary’s – Leo McCarey The Lost Weekend – Billy Wilder National Velvet – Clarence Brown The Southerner – Jean Renoir Spellbound– Alfred Hitchcock
Bing Crosby – The Bells of St. Mary’s Gene Kelly – Anchors Aweigh Ray Milland – The Lost Weekend Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember
Ingrid Bergman – The Bells of St. Mary’s Joan Crawford – Mildred Pierce Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Leave Her to Heaven
Michael Chekhov – Spellbound John Dall – The Corn Is Green James Dunn – A Tree Grows in Brooklyn Robert Mitchum – G. I. Joe J. Carrol Naish – A Medal for Benny
Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green Anne Revere – National Velvet
The Affairs of Susan – Thomas Monroe, Laszlo Gorog The House on 92nd Street – Charles G. Booth A Medal for Benny – John Steinbeck, Jack Wagner Objective, Burma! – Alvah Bessie A Song to Remember– Ernst Marischka
“Accentuate The Positive” – Here Come the Waves – Music by Harold Arlen; Lyrics by Johnny Mercer “Anywhere” – Tonight and Every Night – Music by Jule Styne; Lyrics by Sammy Cahn “Aren’t You Glad You’re You?” – The Bells of St. Mary’s – Music by James Van Heusen; Lyrics by Johnny Burke “The Cat And The Canary” – Why Girls Leave Home – Music by Jay L...
The Bells of St. Mary’s – Harry Marker The Lost Weekend – Doane Harrison National Velvet – Robert J. Kern Objective, Burma! – George Amy A Song to Remember– Charles Nelson
The Keys of the Kingdom – Arthur Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller The Picture of Dorian Gray – Harry Stradling Spellbound– George Barnes
Nov 29, 2019 · Since 1967, only two films released in black-and-white have won the Oscar for Best Cinematography: Schindler's List (1993) and Roma (2018), though other black-and-white films have been nominated. These nominees include Raging Bull (1980), Zelig (1983), The Artist (2011), and Nebraska (2013).
* Cinematography (Black-and-White) - Arthur Miller * Music (Music Score of a Dramatic or Comedy Picture) - Alfred Newman Actor in a Supporting Role - Charles Bickford
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