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Chris Ridenhour. Composer: Street Survivors: The True Story of the Lynyrd Skynyrd Plane Crash. Chris Ridenhour is known for Street Survivors: The True Story of the Lynyrd Skynyrd Plane Crash (2020), Sharknado 2: The Second One (2014) and The Boy, the Dog and the Clown (2019).
- Composer, Music Department, Actor
- 54 sec
Chris delivered a score to rival anything from John Williams or Jerry Goldsmith. To this day, the "Iowa Theme" gives me chills. Our follow up project, "AE" was a completely different kind of film and Chris changed gears smoothly and powerfully to provide a score with a unique, natural yet eerie feel perfect for the alien jungle-based story.
A: Chris Ridenhour is an agent at APA. He specializes in the full-service representation of theatrical motion picture and television writers, directors, producers, and production companies. He also negotiates deals for the sale of motion picture rights for novels, comic books, life stories, video games, remakes, and similar properties.
Chris Ridenhour is known as an Music, Original Music Composer, Actor, Additional Music, Music Supervisor, and Orchestrator. Some of his work includes Sharknado 2: The Second One, Sharknado 3: Oh Hell No!, Titanic II, Sharknado 4: The 4th Awakens, Sharknado 5: Global Swarming, Megalodon, 2-Headed Shark Attack, and The Last Sharknado: It's About Time.
CHRISRIDENHOUR.COM LAUNCHED. Thanks for visiting my website version 1.0. I'll continue to update the site with new tracks from my scores as well as latest news for upcoming projects. If you have any particular requests from my scores please drop my a line and I'll be happy to post on soundcloud . Thanks so much for listening and your continued ...
Chris Ridenhour. Composer: Street Survivors: The True Story of the Lynyrd Skynyrd Plane Crash. Chris Ridenhour is known for Street Survivors: The True Story of the Lynyrd Skynyrd Plane Crash (2020), Sharknado 2: The Second One (2014) and The Boy, the Dog and the Clown (2019).
Chris Ridenhour: I worked as an intern while at USC on the Universal lot – first with Michael J. Fox and Matt Tolmach at Snowback Productions and then with Chuck Gordon’s Daybreak Productions. After graduation, I worked as an assistant at Daybreak.
