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Dwein Ruedas Baltazar is a Filipino filmmaker. She is best known for directing the films Gusto Kita With All My Hypothalamus (2018) and Oda Sa Wala (2018). [1] She has also directed a number of iWantTFC series, such as Past, Present, Perfect? (2019) and I Am U (2020). [2] [3]
Dwein Baltazar is known for Ode to Nothing (2018), Gusto kita with all my hypothalamus (2018) and Mamay Umeng (2012).
- Dwein Baltazar
Dwein Ruedas Baltazar is a Filipina filmmaker. She is best known for directing the films Gusto Kita With All My Hypothalamus (2018) and Oda Sa Wala (2018). She has also directed a number of iWantTFC series, such as Past, Present, Perfect? (2019) and I Am U (2020).
director, writer. biography, photo, best movies and TV shows, news, birthday and age. «Third World Romance» (2023), «Run to Me» (2022), «Marry Me, Marry You» (2021 – 2022), «Hello, Stranger: The Movie» (2021), «Unconditional» (2020)...
- Woman
- Drama, Romance, Comedy
- 2012 — ...
- On Philippine Cinema’S Evolution
- On The “Hugot”Era
- On Their Criteria of A “Successful” Film
- On “Revisionist” Films
- On The Kind of Evolution They Want
- On Filipino Film Cliches
- Romcom 3.0
- On Reaching The Oscars
- On Their Message to The Storytellers and The Audience
We’re already celebrating the 100th year of Philippine cinema. Given what we’re doing right now—the movies we make, the stories people pay to see—are we evolving? Or are we not? Are we making any progress, or do you think something is stopping us? Jerrold: Susmaryosep. Dwein: Grabe, thesis. Teka.(laughs) Read more: Understanding Filipino youth cult...
Dwein:Jerrold, ang tagal ko nang tanong kung kailan ‘yan matatapos. (laughs) I thought it was gonna shift—I was hoping after “Ulan.” Baka naman. Pero angtilt parang pa-genre ngayon. Jerrold: (laughs) I made an observation ‘nung lumabas ang“[That Thing Called] Tadhana.” (Hi Tonette [Jadaone]!). That it’s going to be romcom 2.0. Ayun. So panahon nafo...
Well (laughs), du’n din po papasok ‘yung susunod na questionko.What makes a “successful” film for you Jerrold: Daya.Dwein, para sa ‘yo daw yan. Adding to what I said, there are films deemed successful because it gets a full house. Meanwhile they are said to be successful because they tried something new, even though they didn’t get a lot of viewers...
Going back to direk Jerrold’s insight on romcom 1.0 and romcom 2.0. So basically when a new kind of storytelling comes up, it means progress, but the duplication and overkill of that new kind—because the new concept is “hyped” after its success—will lead to the downfall of cinema ulit? So it’s a cycle? Jerrold: It’s always a cycle. You score big wi...
Jerrold: Eh saan mo gustong pumunta ang evolution, Dwein? Dwein:Alam mo, hindi ko pa rin alam! Napag-usapan nga namin nina Bianca [Balbuena] na parang “reklamo” sa ‘tin nginternational audience, wala raw mukha angPhilippine cinema. Jerrold: Eh di mag-reklamo sila.(laughs) Dwein: Hindi siyadistinct. Read more: Nick Deocampo tells us why it’s difficu...
True. That’s why independent film houses should be more appreciated. Speaking of having one image in Philippine cinema, what are your thoughts on cliches or tropes in Filipino movies? Do you have “favorites” that you think still work, or at least tolerable? Jerrold: Hindi ako magaling naobserver niyan. Baka sinaMiko Livelo, etc. Dwein: Dami nating ...
Sasabihin ko pa lang ‘yan, Direk. Medyounconventional ‘yung daloy para sa ‘kin.Not too unique, but it didn’t sound like a broken record. Dahil nga rin siguro sa choice ng bida in the end. And maramingaspects ‘yung pumasok, kahit ‘yung privilege. Hindi siya entirely focusing on romance/relationships. Dwein: ‘Di ba?! Ang nitpick ko lang do’n ay ‘yung...
Dwein: Makakarating ba tayo ng Oscars? Jerrold: Bandangromcom 5.0 siguro. Dwein: Syempre ‘di naman talaga tayo makaka-Oscars kasi wala tayong pera! (laughs) Jerrold: Meron ‘yan. At some point,may isa sa atin nadream na makarating diyan at ititimpla talaga ‘yung pelikula para sa Oscars. ‘Di ko siya concern personally. For now. (laughs) Dwein: Kahit ...
Malaking bagay din talaga ‘yung willingness ngaudience to consume stuff they’re not familiar with. Jerrold:Exactly. So you can’t just put the blame on cinemas. Hindi rin enough ‘yungconsumers. Niche market pa rin angindie. Except for the flukes. So speaking of that, to wrap this up, if you can tell a short message to the Filipino audience, what wou...
Jul 18, 2019 · Dwein Ruedas Baltazar directs a film that deals with loneliness and alienation, particularly in the small towns, but most of all, death, and especially the way people perceive it.
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Dwein Ruedas Baltazar is a Filipina filmmaker. She is best known for directing the films Gusto Kita With All My Hypothalamus (2018) and Oda Sa Wala (2018). She has also directed a number of iWantTFC series, … more
