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  1. en.wikipedia.org › wiki › Tom_LeetchTom Leetch - Wikipedia

    Tom Leetch is an American film producer, writer and director. His career included working on films for Walt Disney Productions, under the leadership of Walt Disney's son-in-law, Ron Miller. At Disney, Leetch first began as an assistant director on films such as Mary Poppins, The Ugly Dachshund and Monkeys, Go Home.

  2. www.wikiwand.com › en › Tom_LeetchTom Leetch - Wikiwand

    Tom Leetch is an American film producer, writer and director. His career included working on films for Walt Disney Productions, under the leadership of Walt Disney's son-in-law, Ron Miller. At Disney, Leetch first began as an assistant director on films such as Mary Poppins, The Ugly Dachshund and Monkeys, Go Home.

  3. Jan 23, 2018 · When this interview was conducted it a while after the original release of the film, and after the actual release of the shorter/second version of the film.Mr. Leetch spoke in a very different tone compared to how he spoke to me off the record.

  4. www.imdb.com › name › nm0498711Tom Leetch - IMDb

    Tom Leetch. Producer: The Magical World of Disney. Tom Leetch is known for The Magical World of Disney (1954), The Magic of Walt Disney World (1972) and The Sky's the Limit (1975).

    • Tom Leetch
  5. Tom Leetch is an American film producer, writer and director. His career included working on films for Walt Disney Productions, under the leadership of Walt Disney's son-in-law, Ron Miller. At Disney, Leetch first began as an assistant director on films such as Mary Poppins, The Ugly Dachshund and Monkeys, Go Home.

  6. Dec 31, 2014 · Tom Leetch. Publication date. 1972-12-22. Usage. Public Domain Mark 1.0. Topics. walt disney world, magic kingdom, disneyparks. Language. English. Before you see my own version of opening, closing and full-lenght feature film: Straight Outta Nowhere: Scooby-Doo!

  7. After a screening of a nearly completed print in late March, STARLOG talked with co-producer Tom Leetch about the making of it. Leetch was obviously happy with his film and clearly enjoyed discussing it; and we were often struck by the differences between his approach to Watcher and all we have learned about the making of The Black Hole.