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  1. nordicwomeninfilm.com › person › kim-leonaKim Leona | Nordic Women in Film

    Kim Leona (DK) Manuskriptforfatter. Født 31/10 1965 i USA. Kom til Danmark som syvårig sammen med sin mor. Uddannet manuskriptforfatter fra Den Danske Filmskole i 1997.

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    • Kim Leona – Movies, Bio and Lists on MUBI
    • Kim Leona - TV Guide
    • Kim Leona | AARHUS SERIES
    • Kim Leona - TV Guide
    • Kim Leona (@KimLeona20) / Twitter
    • Kim Leona ny konsulent for spillefilm | Det Danske Filminstitut

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  3. www.imdb.com › name › nm0502547Kim Leona - IMDb

    Kim Leona was born on 31 October 1965 in the USA. She is a writer and producer, known for The Neon Demon (2016), The Inheritance (2003) and Bagland (2003).

    • Kim Leona
    • October 31, 1965

  4. nordiskfilmogtvfond.com › news › extrasKim Leona - New DFI Film Commissioner

    The latest film & TV news of the Nordic audio-visual industry.

  5. www.dfi.dk › filmdatabasen › personKim Leona | Det Danske Filminstitut

    Kom til Danmark som syvårig sammen med sin mor. Uddannet manuskriptforfatter fra Den Danske Filmskole i 1997. Leona skrev manuskript til Per Flys prisvindende klassetrilogi "Bænken" (2000), "Arven" (2003) og "Drabet" (2005) samt Flys tv-serie "Forestillinger" (2007).

  6. www.themoviedb.org › person › 88505-kim-leonaKim Leona — The Movie Database (TMDB)

    Kim Leona is known as an Writer, Screenplay, and Actor. Some of their work includes The Inheritance, The Bench, Manslaughter, Scratch, Love and Rage, Two Penny Dance, and Kikser.

  7. www.facebook.com › public › Kim-LeonaKim Leona Profiles | Facebook

    View the profiles of people named Kim Leona. Join Facebook to connect with Kim Leona and others you may know. Facebook gives people the power to share...

  8. www.dfi.dk › en › englishIdentifying the High Performers | Danish Film Institute

    For Kim Leona and Steen Bille, both veteran screenwriters, the dramaturgical craft by now is second nature. But the Danish Film Institute's two feature film commissioners agree that attention to structure and plotting is not enough to make cinematic art that moves people.