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  1. en.wikipedia.org › wiki › 2046_(film)2046 (film) - Wikipedia

    2046 is a 2004 romantic drama film written, produced and directed by Wong Kar-wai. An international co-production between Hong Kong, France, Italy, China and Germany, it is a loose sequel to Wong's films Days of Being Wild (1990) and In the Mood for Love (2000).

  2. Plot. In 1962 British Hong Kong, Shanghainese expatriates Chow Mo-wan, a journalist, and Su Li-zhen (Mrs. Chan), a secretary at a shipping company, rent rooms in adjacent apartments. Each has a spouse who works and often leaves them alone on overtime shifts.

  3. www.imdb.com › title › tt02127122046 (2004) - IMDb

    Sep 29, 2004 · 2046: Directed by Kar-Wai Wong. With Tony Leung Chiu-wai, Gong Li, Faye Wong, Takuya Kimura. Several women enter a science fiction author's life over the course of a few years, after the author has lost the woman he considers his one true love.

    • (62K)
    • Drama, Romance, Sci-Fi
    • Kar-Wai Wong
    • 2004-09-29
  4. In the Mood for Love. Hong Kong, 1962: Chow Mo-Wan (Tony Leung Chiu Wai) and Su Li-Zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day.

    • Su Li-Zhen, Chow Mo-Wan
  5. Oct 20, 2016 · Since those three Wong films occupy successive periods of the 60s and have some common personages in their stories, they are sometimes referred to as a trilogy. However, the linkage with Days of Being Wild is rather weak, and familiarity with that story is not necessary for appreciating 2046 .

  6. Jan 23, 2021 · Days of Being Wild begins to flesh out the Wong Kar Wai’s cinematic world, using the potent imagery of early 60’s Hong Kong and the Philippines to entangle a dazzling cast into a whirlwind of brisk connections that were destined to never fully materialise.

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  8. Jul 17, 2021 · Sensual, elliptical, melancholic, and visually gorgeous — so, a Wong Kar-Wai film — 2046 is a ravishing conclusion to the unofficial trilogy that began with Days of Being Wild. “ A synthesizing, retrospective work, 2046 is the summation of Wong’s lyrical melancholia … Spectacular.” Nathan Lee, Film Comment