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  1. The revised Council of Europe Convention on Cinematographic Co-production (ETS No 220) was adopted on 29 June 2016 and opened for signature on 30 January 2017. It is open for signature by member states and for accession by non-member states and the European Community.

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  2. Eurimages support takes the form of soft loans or subsidies (co-production support) or subsidies (promotion of co-production and exhibition). Soft loans are repaid on the basis of revenues generated by the projects supported.

  3. Eurimages, the Support Fund for the Co-production and Distribution of Creative Cinematographic and Audiovisual Works, established in 1988, promotes independent filmmaking by providing financial support to feature-length films, animation and documentary films.

  4. TFL Co-Production Fund 2023. Production grant of € 50,000 to feature film projects realised in co-production between European and international partners. Deadline to apply: 24 January 2023. The TFL Co-Production Fund supports co-productions between European producers and international co-producers.

    • Internationalisation of Talent
    • Co-Development Funds
    • Sub-Groups
    • Dispute Resolution
    • EU Public Affairs/Policy Interventions

    Regional film funds co-operate to support networking of film professionals and encourage creative people from their regions to take part in co-production workshops, festivals and film markets that regional funds sometimes co-fund (e.g. DOK Leipzig Co-Production Meeting, Connecting Cottbus, CineMart Rotterdam, Berlinale Co-production Market, CineLin...

    Another significant policy for establishing creative cross-border partnership is establishing co-development funds. The most representative co-development initiatives that naturally lead to more organic co-production between the territories include: 1. Mitteldeutsche Medienförderung (MDM) has set up together with the Dutch Film Fund a co-developmen...

    In the framework of Cine-Regio, a number of specific-task sub-groups have been set up in order to develop and strengthen the co-development and co-production of audiovisual products, while stimulating the artistic, technical and creative exchange. The most representative sub-groups include: 1. Docu-regio for regions funding documentaries and ready ...

    Co-productions, in particular when they are cross-border, are prone to disputes. Such disputes may involve different stakeholders including co-producers, directors, scriptwriters, distributors or financiers. Disputes between co-producers can be solved by court proceedings, arbitration or mediation. Co-production disputes require fast, affordable an...

    Cine-Regio’s public affairs activities include, among others, submitting responses to the Public Consultations launched by the European Commission, representation in Expert Groups and advisory boards, exchange of views with policy-makers in the European institutions (European Commission, European Parliament, Committee of Regions, etc.) on policy is...

    • Charlotte Appelgren
    • 2018
  5. EUROPEAN CO-PRODUCTION tackles these complex issues head-on. The workshop offers exclusive insights into the making of several recent European co-productions as well as a comprehensive overview of the legal and financial elements of co-productions.

  6. majority of European feature films and TV drama series need to seek multi-national and/or multi-regional public financing in order to actually be made. Figure 16.1 illustrates a generic co-production financing model in Europe. Co-producing according to this model bears both advantages and dis-advantages.