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  1. Tōru Takemitsu (武満 徹, pronounced [takeꜜmitsɯ̥ toːɾɯ]; 8 October 1930 – 20 February 1996) was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu was admired for the subtle manipulation of instrumental and orchestral timbre .

  2. Below is a sortable list of compositions by Tōru Takemitsu. The works are categorized by genre, date of composition, titles and scoring. Scores by Takemitsu are published by Ongaku No Tomo Sha, C.F. Peters, Éditions Salabert, Schott Japan, and Universal Edition.

    Genre
    Date
    Japanese Title (original Title)
    English Title
    Orchestral
    1957
    弦楽のためのレクイエム
    Requiem [ ja]
    Orchestral
    1958
    ソリチュード・ソノール
    Solitude Sonore
    Orchestral
    1961
    樹の曲
    Music of Tree
    Orchestral
    1962
    コロナII
    Corona II
  3. Apr 11, 2022 · Takemitsu Tōru is famous as the composer who united traditional Japanese music and Western modernism. Today, a quarter-century after his death, his music continues to be performed in concert...

    • Tōru Takemitsu1
    • Tōru Takemitsu2
    • Tōru Takemitsu3
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    • Tōru Takemitsu5
  4. Nov 4, 2020 · Learn about the life and works of Tōru Takemitsu, a Japanese composer who integrated Western and Eastern musical traditions. Discover how he evolved from a modernist to a tonal style, and how he was influenced by Stravinsky, Cage and Bunraku theatre.

    • Tōru Takemitsu1
    • Tōru Takemitsu2
    • Tōru Takemitsu3
    • Tōru Takemitsu4
  5. Tōru Takemitsu (1930-1996): Nostalghia, for violin and string orchestra (1987).Yuri Bashmet, violinoMoscow Soloists diretti da Roman Balashov.Cover image: ja...

    • 16 min
    • 353.3K
    • Wellesz Theatre.
  6. Oct 20, 2016 · An introductory playlist to the powerful, silence-driven work of one of the most important Japanese composers of the 20th century, Toru Takemitsu.

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  8. www.bmop.org › explore-bmop › musiciansToru Takemitsu | BMOP

    Toru Takemitsu, nearly a decade after his death at 65, remains Japan’s best-known composer. His many concert pieces and more than 90 film scores echo Debussy, Messiaen, and Webern, as well as traditional Japanese music. But the largely self-taught Takemitsu maintained that his ultimate masters were Duke Ellington and nature.