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  1. en.wikipedia.org › wiki › Frank_PartosFrank Partos - Wikipedia

    Frank Partos (born Ferenc Pártos; July 2, 1901 – December 23, 1956) was a Hungarian-American screenwriter and an early executive committee member of the Screen Actors Guild, which he helped found.

  2. Frank Partos was born on July 2, 1901 in Budapest, Austria-Hungary [now Hungary]. He was a writer, known for The Snake Pit (1948), Honolulu (1939) and College Scandal (1935). He was married to Maria Mariska Partos. He died on December 23, 1956 in Los Angeles, California, USA.

    • July 2, 1901
    • December 23, 1956
  3. www.imdb.com › name › nm0664022Frank Partos - IMDb

    Frank Partos was born on 2 July 1901 in Budapest, Austria-Hungary [now Hungary]. He was a writer, known for The Snake Pit (1948), Honolulu (1939) and College Scandal (1935). He was married to Maria Mariska Partos. He died on 23 December 1956 in Los Angeles, California, USA.

    • Writer, Script And Continuity Department
    • July 2, 1901
    • Frank Partos
    • December 23, 1956
  4. Frank Partos; Nathanael West; Boris Ingster. Publication date. 1940. Topics. VHS RIP, Noir, Crime, Drama, Peter Lorre, English Movies, Film. Language. English. An aspiring reporter is the key witness at the murder trial of a young man accused of cutting a café owner's throat and is soon accused of a similar crime himself. Stars.

    • 63 min
    • 271
    • NoBumsNoDucks
  5. Budget. $171,200 (estimated) Stranger on the Third Floor is a 1940 American film noir directed by Boris Ingster and starring Peter Lorre, John McGuire, Margaret Tallichet, and Charles Waldron, and featuring Elisha Cook Jr. It was written by Frank Partos.

  6. Find bio, credits and filmography information for Frank Partos on AllMovie - Frank Partos an American screenwriter, of Hungarian Jewish origin, and an early executive committee…

  7. While the groundbreaking dream sequence is the visual centerpiece, Ingster packs the film with dramatic camera angles, low-key lighting, and novel blocking, which together create one of the film’s most iconic and suspenseful scenes in which Ward confronts the stranger in his stairwell. By Michael Bayer.