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Lucile Emina Hadžihalilović (born 7 May 1961) is a French writer and director of Bosnian descent. [1] [2] She is best known for the 1996 short film La Bouche de Jean-Pierre and the 2004 feature-length film Innocence , for which she became the first woman to win the Stockholm International Film Festival 's Bronze Horse Award for Best Film.
Lucile Hadzihalilovic. Writer: Innocence. Lucile Emina Hadzihalilovic was born on May 7, 1961 in Lyon, Rhône, France, to Bosnian parents and grew up in Morocco. She studied Art History and Film Directing at the IDHEC.
Aug 6, 2022 · Drawing on the success of Jean-Pierre, Hadžihalilović was able to secure support for Innocence which traced the education of young children at an all-girls schooled whose teachings and rituals seemed grounded in a hidden logic and which formalised her distinctive style. Lucile Hadžihalilović’s models have the structure of allegories.
Aug 6, 2022 · The Natural Models of Lucile Hadžihalilović. Issue 102. This extended conversation with Lucile Hadžihalilović is grounded in the experience of life, film and filmmaking. The interview was conducted by dossier editors Alison Taylor and John Edmond over Zoom in July 2022, and then edited and condensed for clarity. John Edmond: You were born ...
Jun 7, 2022 · Lucile Hadžihalilovic: ‘When I make a film, something unconscious comes out’ The French writer/director of Innocence and Earwig explains why she tells stories from a dream logic perspective. I n Lucile Hadžihalilović’s Earwig, images of cruelty and tenderness circle one another. Adapted from the novel by Brian Catling, Aalbert (Paul ...
Jun 8, 2022 · “You must start preparing the girl to leave,” instructs an unseen caller on the end of the telephone at the 25-minute mark of Lucile Hadžihalilović’s new film Earwig. Methodical, middle-aged Albert (Paul Hilton) takes the call in the hallway of the gloomy flat where he’s taking care of Mia (Romane Hemelaers), a young girl with no teeth.
With Evolution, Lucile Hadzihalilovic dives deep into the murky (and dangerous) waters of maturing and achieving self-knowledge. With two meticulously framed, painterly feature films, Lucile Hadzihalilovic has put a fascinating, unsettling spin on adolescence. Her dreamy, attention-grabbing 2004 debut, Innocence, is set in a faraway ballet ...
