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Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group.
Apr 20, 2010 · William Henry Lane is credited as one of the most influential figures in the creation of American tap dance. Lane developed a unique style of using his body as a musical instrument, blending African-derived syncopated rhythms with movements of the Irish jig and reel.
May 7, 2024 · Master Juba was known as the “father of tap dance” and the first African American to get top billing over a white performer in a minstrel show. He invented new techniques of creating rhythm by combining elements of African American vernacular dance, Irish jigs, and clogging. William Henry Lane was.
Lane combined patting juba with the jig and reel dances that he had learned from his poor Irish neighbors, and added many other ethnic dance steps he had learned, such as the shuffle, the slide, buckdancing, pigeon wing, and clog into a new dance that became known as tap dancing.
Apr 22, 2021 · Master Juba is widely recognized as the father of tap dance, yet little is known about his personal life. He visited Ireland in 1849, when the country was slowly emerging from a devastating...
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- Irish Heritage Trust - The Heart of Heritage
By 1845, Lane was making his name with his version of the Juba. Lane's style focused on rhythm and percussion over melody and built heavily on improvisation. He may have been the first to add syncopation to his dancing.
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Feb 24, 2015 · One such character was Master Juba, played by free-born African American William Henry Lane. Lane’s character is easily one of the most recognizable personas in minstrel history, and the surname quickly evolved into a stock title for black characters.
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