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Sidney Arthur Lumet ( / luːˈmɛt / loo-MET; [1] June 25, 1924 – April 9, 2011) was an American film director. Lumet started his career in theatre before moving to film, where he gained a reputation for making realistic and gritty New York dramas which focused on the working class, tackled social injustice s, and often questioned authority.
IMDb provides an extensive overview of the life and career of Sidney Lumet, a master of cinema who made over 40 movies, often complex and emotional, in his beloved New York. Learn about his debut with 12 Angry Men, his collaborations with Brando, Connery and Pacino, his themes of social relevance and his awards and nominations.
- January 1, 1
- Philadelphia, Pennsylvania, USA
- January 1, 1
- Manhattan, New York City, New York, USA
6 days ago · Director Sidney Lumet circa 1973. Photo: Santi Visalli/Getty Images If an essential quality of great art is timelessness, Hollywood movies on contemporary social issues have a checkered history.
A comprehensive overview of the life and career of Sidney Lumet, a master of cinema who made over 40 films, often complex and emotional, in his beloved New York. Learn about his stage debut, his directorial debut, his collaborations with actors, his themes and his awards.
- June 25, 1924
- April 9, 2011
Jun 22, 2024 · Sidney Lumet, American director who was noted for his psychological dramas, which typically featured characters wrestling with moral or emotional conflicts involving betrayal, corruption, or disillusionment. He was also known for eliciting strong performances from his cast members.
- Michael Barson
Roger Ebert pays homage to Sidney Lumet, one of the finest and most productive film directors, who died at 86 in 2011. He praises Lumet's craftsmanship, humanism, and ethical vision in his films, from "12 Angry Men" to "Before the Devil Knows You're Dead".
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5 days ago · Dog Day Afternoon is an ideal intro to Lumet’s New York, a location the Manhattanite filmmaker explored to its fullest throughout his career, though never with a more pungent sense of the place. The film’s scope is wider than the city, however. Social concerns powered Lumet, and mid-1970s America gave the director ample fuel: Dog Day ...
