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Marilyn Watelet is known for Ecole 27 (1996), Black Metal (1998) and À toute épreuve (2004).
- Producer, Production Manager, Director
- Marilyn Watelet
Dec 9, 2015 · Marilyn Watelet began in Belgian television; in 1975, with Chantal Akerman, she created Paradise Films, where she remained until 2011; later worked as a location manager, assistant director, production coordinator and producer on more than thirty fiction films and documentaries, while teaching at the INSAS (the École supérieure des Arts du ...
- Marilyn Watelet
Mar 23, 2016 · The lineup included long-time friend Marilyn Watelet, the cofounder of Paradise Films, with whom, as a teenager, Akerman watched Pierrot le fou for the first time; witnesses and facilitators of Akerman’s formative New York experience, such as Anthology Film Archives founder Jonas Mekas and Babette Mangolte, her genius cinematographer; curator ...
Dec 9, 2015 · Some close collaborators: childhood friend Marilyn Watelet, with whom she co-founded Paradise Film, the small company in Belgium that produced the majority of her films; film editor Claire Atherton, who collaborated with her on all her films and installations after 1986 and allowed us to reproduce the moving homage she read at the ...
Marilyn Watelet began in Belgian television; in 1975, with Chantal Akerman, she created Paradise Films, where she remained until 2011; later worked as a location manager, assistant director, production coordinator and producer on more than thirty fiction films and documentaries, while teaching at the INSAS (the École supérieure des Arts du ...
Aug 18, 2022 · In the seaside town we find Marilyn Watelet, Chantal Akerman posing in a convertible, and Natalia Akerman, the director’s mother, while in Brussels she filmed the Midi summer fair as well as the courtyard of the former Hôtel de Clèves-Ravenstein, situated next to the film museum – a place they both visited regularly, never of course ...
In these films Akerman again follows the teenage Marilyn Watelet, this time as she wanders the Belgian seaside tourist town of Knokke. In the first of the films, Watelet looks at shoes, cars (somehow getting into both a chauffeured vehicle and a speedster), clothes, hats, etc., while Akerman somewhat jerkily reframes and pans to follow her ...
