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  1. Cesare Zavattini (20 September 1902 – 13 October 1989) was an Italian screenwriter and one of the first theorists and proponents of the Neorealist movement in Italian cinema. Biography. Born in Luzzara near Reggio Emilia in northern Italy, on 20 September 1902, Zavattini studied law at the University of Parma, but devoted himself to writing.

  2. Cesare Zavattini was an Italian screenwriter, poet, painter, and novelist, known as a leading exponent of Italian Neorealism. Born into a humble family, Zavattini completed a law degree at the University of Parma and began a career in journalism and publishing.

    • The Editors of Encyclopaedia Britannica
  3. Cesare Zavattini è stato uno sceneggiatore, giornalista, commediografo, scrittore, poeta e pittore italiano. In ambito cinematografico, Zavattini è annoverato tra le figure più rilevanti del neorealismo italiano, di cui fu anche un teorico.

  4. Cesare Zavattini was born on 20 September 1902 in Luzzara, Emilia-Romagna, Italy. He was a writer and director, known for Bicycle Thieves (1948), Umberto D. (1952) and It's Forever Springtime (1950). He was married to Olga Berni. He died on 13 October 1989 in Rome, Lazio, Italy.

    • January 1, 1
    • Luzzara, Emilia-Romagna, Italy
    • January 1, 1
    • Rome, Lazio, Italy
  5. Sep 22, 2020 · “The cinema,” claims screenwriter Cesare Zavattini, the chief theorist of what came to be known as Italian neorealism in the early 1950s, “has always felt the ‘natural’ and practically ...

    • Ara H. Merjian
    • Cesar Zavattini1
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  6. The name Cesare Zavattini, or Za for short, would be better approached as a field of creative energy fueling and often short-circuiting the Italian cultural scene and its cinema during the last century with reverberations across global cinema. AN EVERYDAY BIOGRAPHY.

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  8. Despite the strong bond to the Emilian roots, the cultural experience of Cesare Zavattini is characterized by a remarkable international openness. Sure enough the Luzzarese writer has established himself as an authentic “global icon” of the cinematographic neorealism, characterizing his entire work for a marked transnational character.