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  1. Harry Julian Fink (July 7, 1923 – August 8, 2001) was an American television and film writer known for Have GunWill Travel and as one of the writers who created Dirty Harry.

  2. Harry Julian Fink (1923-2001) was a prolific writer for radio, TV and film, especially in the genre of crime and action. He co-wrote the screenplays of the Dirty Harry series, as well as other classics like Ice Station Zebra and The Eleventh Hour.

    • Writer, Script And Continuity Department
    • July 7, 1923
    • Harry Julian Fink
    • August 8, 2001
  3. Dec 23, 2021 · Harry Julian Fink, who wrote the neo-noir script for the 1971 cop classic with Clint Eastwood, passed away on Dec. 23, 2021. He and his wife R.M. Fink crafted the story of a rules-busting inspector who hunts a serial killer in San Francisco.

    • Jim Mckairnes
  4. en.wikipedia.org › wiki › Dirty_HarryDirty Harry - Wikipedia

    Dirty Harry is a 1971 American neo-noir action thriller film produced and directed by Don Siegel, the first in the Dirty Harry series. Clint Eastwood plays the title role, in his first appearance as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan .

  5. Harry Julian Fink was born on July 7, 1923 in New York, New York, USA. He was a writer, known for Dirty Harry (1971), Magnum Force (1973) and Sudden Impact (1983). He was married to Rita M. Fink. He died on August 8, 2001 in La Jolla, California, USA.

    • July 7, 1923
    • August 8, 2001
  6. Dec 31, 2014 · Harry Julian Fink & Rita M. Fink. Publication date. 1970-01-01. Topics. Dirty Harry, Harry Julian Fink, Rita M. Fink. Collection. opensource. Language. English. Well, 255.50 bucks to buy this draft from eBay is risky enough for me up to my heart. But if I bought something more pricey than that, it's either up to my throat and my life.

  7. Dec 31, 2018 · In a number of ways, this episode is the quintessential distillation of writer Harry Julian Fink’s approach to his assorted HAVE GUN – WILL TRAVEL assignments. He would drop Paladin down into a murky situation and then ramp up the tension and the stakes, testing the character to see just how far he could be pushed before he’d break or bend.