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  1. en.wikipedia.org › wiki › Basil_DeanBasil Dean - Wikipedia

    Basil Herbert Dean CBE (27 September 1888 – 22 April 1978) was an English actor, writer, producer and director in the theatre and in cinema.

  2. www.imdb.com › name › nm0212704Basil Dean - IMDb

    Basil Dean first appeared as an actor on the British stage in 1906. He soon switched careers and began writing and directing plays. Turning to the film industry, he became a producer and director in 1928; many of the films he produced and directed were based on his own stage plays.

    • January 1, 1
    • Croydon, Surrey, England, UK
    • January 1, 1
    • Westminster, London, England, UK
  3. Basil Dean is a paradoxical figure in British cinema. Representing a theatrical approach to film-making much despised by modern critics, he is also responsible as producer for some of the most domestically successful films of the 1930s, and for establishing British cinema's two biggest stars of the period, George Formby and Gracie Fields.

  4. Basil Dean first appeared as an actor on the British stage in 1906. He soon switched careers and began writing and directing plays. Turning to the film industry, he became a producer and director in 1928; many of the films he produced and directed were based on his own stage plays.

    • September 27, 1888
    • April 22, 1978
  5. Aug 29, 2013 · With this as a backdrop, on 21 February 1943, more than two thousand participants performed a large-scale pageant called Salute to the Red Army at the Royal Albert Hall in London to commemorate Red Army Day and celebrate the Soviet–British alliance against Nazi aggression.

  6. www.wikiwand.com › en › Basil_DeanBasil Dean - Wikiwand

    Basil Herbert Dean CBE was an English actor, writer, producer and director in the theatre and in cinema. He founded the Liverpool Repertory Company in 1911 and in the First World War, after organising unofficial entertainments for his comrades in the army, he was appointed do so officially.

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  8. Dec 16, 2013 · In this blogpost, Dr Warden discusses how Basil Dean's 1943 large-scale celebration of the Soviet–British alliance against Nazi aggression marks a fascinating episode in the established narratives of British theatre.