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Feb 2, 2018 · Apple’s “1984” There’s two types of people that watch the Super Bowl—those who want to watch football, and those who want to watch the commercials.Either way, that’s a lot of people—the NFL’s championship game is typically highest-rated event of the year, and 19 of the top 20 most watched TV broadcasts of all time are all Super Bowls (the M*A*S*H finale being the only exception at #9.)
Feb 25, 2017 · “ Catch Me if You Can ” (2002) uses a fantastic animated sequence to visually sum up the film’s main character and theme. The bold color block animation by Oliver Kuntzel and Florence Deygas is a loving nod to the work of Saul Bass, who designed sequences for Alfred Hitchcock, Billy Wilder, Stanley Kubrick, and Martin Scorsese, among others.
Anne says aspiring actors can learn from Hemsworth’s ability to work with a cast. “Regardless if you are in an ensemble cast or not, you always have to be a team player. It takes a village to make a film. The more you collaborate and work with, and as an ensemble, the more one’s creativity is fostered,” she says.
Aug 2, 2017 · BPPE: The New York Film Academy is approved to operate by the California Bureau for Private Postsecondary Education (BPPE) “Approval” or “approval to operate” means that the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Education.
Build essential skills and gain insights from trusted experts in the arts industry in this learn-as-you-go platform for artists and cultural workers of all disciplines from New York Foundation for the Arts (NYFA).
Jan 28, 2017 · You may even get the courage to take risks and get more creative if you find that clients aren’t impressed when you give them exactly what they asked for. There’s always something new to learn even from a project that doesn’t end well. Freelance graphic designers sometimes learn this the hard way, but this too can become a positive.
Feb 25, 2017 · One thing you can expect to do as a filmmaking student in Paris is to watch a lot of films. Like a game developer or musician, you should be studying other people’s work to learn different styles and techniques you may want to know and master.
