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Music in Darkness (known in the United States as Night is My Future) became a respectable product in the style of director Gustaf Molander. It was generally well received and was a modest box-office success to boot.'
Jun 14, 2020 · Music in Darkness demonstrates just how much of a limit the actor puts on the psychological depths the film can plumb by giving a small but potent role to future Bergman mainstay Gunnar Björnstrand, who'd already had a small and fairly adequate role in It Rains on Our Love: he plays another musician irritated with Bengt, and the layers that Björnstrand can bring to deepen and enrich a character who could fairly easily be described solely using the adjective "surly" make it that much ...
Critics reviews. In Sweden, the upper-class pianist Bengt Vyldeke suffers an accident in the military drill and becomes blind. He returns to the house of his aunt Beatrice and is initially supported by his sister Agneta since his fiancée Blanche has called off their engagement and his friends have abandoned him.
Songs featured in Dark and Original Soundtrack Apparat (featuring Soap&Skin) - Goodbye Opening Theme Marathonmann - Rücklauf Dead or Alive - You Spin Me Right Round Mimi Page - Nightfall Nena - Irgendwie, Irgendwo, Irgendwann Roomful of Teeth – Partita: III. Courante Mire Kay - Industry Choir of Trinity Wall Street, Bang on a Can All-Stars & Julian Wachner - Anthracite Fields: IV. Flowers Tears For Fears - Shout Kreator - Pleasure To Kill ABC - The Look Of Love (Part One) Agnes Obel ...
Oct 12, 2021 · Live Music Archive Librivox Free Audio. Featured. All Audio; ... Music in Darkness. Addeddate 2021-10-12 14:42:05 Color color Identifier 1948-musik-i-morker
Music in Darkness. Music in Darkness ( Swedish: Musik i mörker ), known in the United States as Night Is My Future, is a 1948 Swedish drama movie directed by Ingmar Bergman. It stars Mai Zetterling and Birger Malmsten .
The popularity of Music in Darkness made Ingmar Bergman a far more attractive proposition for Svensk Filmindustri, who immediately commissioned him to direct Port of Call (1948). In later years, Bergman recognised the immense debt he owed Lorens Marmstedt, without whose moral and financial support his filmmaking career would most probably have been strangled at birth.
